Lapidary
Lapidary (from the Latin lapidarius) is the practice of shaping stone, minerals, or gemstones into decorative items such as cabochons, engraved gems (including cameos), and faceted designs. A person who practices lapidary is known as a lapidarist. A lapidarist uses the lapidary techniques of cutting, grinding, and polishing.[1][2][3] Hardstone carving requires specialized carving techniques.[2]
In modern contexts, a gemcutter is a person who specializes in cutting diamonds, but in older contexts the term refers to artists who produced
By extension, the term lapidary has sometimes been applied to collectors of and dealers in gems, or to anyone who is knowledgeable in precious stones.[4]
Etymology
The etymological root of the word lapidary is the Latin word lapis, meaning "stone".[5] In the 14th century, the term evolved from lapidarius, meaning 'stonecutter' or 'working with stone', into the Old French word lapidaire, meaning 'one skilled in working with precious stones'.[5]
In French, and later English, the term is also used for a lapidary text, which was a treatise on precious stones that details their appearance, formation, and properties - particularly in terms of the powers believed to be held by some stones - as believed in medieval Europe. The beliefs about the powers of stones included their ability to prevent harm, heal ailments, or offer health benefits.[6] Lapidary appeared as an English adjective in the 18th century.[5]
History
The earliest known lapidary work likely occurred during the Stone Age.[1][7] As people created tools from stone, they realized that some geological materials were harder than others. The next earliest documented examples of what could be considered lapidary arts came in the form of drilling stone and rock. The earliest roots of drilling rocks date back to approximately one million years ago.[8]
The early Egyptians developed cutting and jewelry fashioning methods for lapis lazuli, turquoise, and amethyst.[9]
The art of lapidary was relatively well-developed in the Indian subcontinent by the early 1st millennium CE. The surviving manuscripts of the 3rd century Buddhist text Rathanpariksha by Buddha Bhatta,[citation needed] and several Hindu texts of mid-1st millennium CE such as Agni Purana and Agastimata, are Sanskrit treatises on lapidary arts. They discuss sources of gems and diamonds, their origins, qualities, testing, cutting and polishing, and making jewelry from them.[10][11][12] Several other Sanskrit texts on gems and lapidary arts have been dated to post-10th century, suggesting a continuous lapidary practice.[13]
According to Jason Hawkes and
Lapidary was also a significant tradition in early
Techniques
There are three broad categories of lapidary arts:
- Positioning rough stone in a holder, and holding the stone against the edge of a revolving saw or lapidary slitter impregnated with diamond dust to cut and slit stone.
- Removing cut stone and placing it in lapidary stick. A gemcutter then selects the shaping wheel and applies abrasive compound. They hold a lapidary stick against the revolving shaping wheel and lapidary disk to further shape stone and grind facets.
- Depositing stone within a barrel with both water and a grinding/polishing medium and either vibrating or rotating said barrel using friction to grind and polish the stones over time.[16]
- Examining stone for accuracy of cut, using a magnifying glass. A gemcutter polishes stone, using felt or canvas-covered polishing wheel, and polishing compounds, such as jeweler's rouge.
- Possibly using a mechanical facet-cutting device. A gemcutter may cut and polish diamonds for industrial purposes, and be designated as an Industrial-Diamond Polisher.
- The Mohs Hardness Scale[17] is a commonly used tool in lapidary to help measure a minerals hardness. A minerals hardness is measured by seeing how easily scratched it is, and what other minerals on the Mohs Hardness scale can scratch it. This tool is helpful in indicating what different lapidary methods should be used on the material.
Cutting
Cutting of
While the gemstone in the rough state may be trimmed to remove undesirable material or to separate it on a cleavage line with a
Faceting
Faceting requires equipment allowing for very precise adjustment of angle and location around the gemstone for facet-placement, a process sometimes referred to as indexing. The design may be computer-generated or left up to the skill and expertise of the individual cutting the gemstone.
During the process of grinding, faceting, and lapping, the gemstone is usually affixed ("dopped") to a rod (frequently referred to as a "dop" or "dopstick") made of wood, or perhaps brass or steel, with dopping cement, a specialized thermal adhesive. The dopstick can be hand-held or inserted into the indexing equipment for more precise faceting. A coolant then needs to be constantly applied to prevent softening of the cement. Diamonds, however, are held mechanically, or with low-melting point tin-lead solder, since the resultant heat generated by friction can be extreme, thus preventing the use of thermal adhesives.
Cabochons - smooth-shaped gemstones without facets such as jade or turquoise, and indeed most gemstones - are instead shaped and polished in much the same manner. They are usually left up to the skill and expertise of the individual cutting the gemstone and to similar equipment such as the lapping equipment.
Polishing
Most modern lapidary work is done using motorized equipment. Polishing is done with resin- or metal-bonded
The initial shaping and facet placement may be done using laps with grits of 220, 600, 1200. The polishing step, however, requires grits of a much higher grade, such as 8,000, 14,000, 50,000 and even 100,000. This grit is also embedded into a metal lap, but sometimes applied manually to the lap during polishing.
Inlaying
Another specialized form of lapidary work is the
Safety
Stones can contain asbestos, silica, lead, talc, and other hazardous ingredients. The dust produced by lapidary techniques on such stones can cause health issues if inhaled.
For lapidary work, safety precautions include wearing a National Institute for Occupational Safety and Health approved respirator with replaceable cartridges and dust filters; using a local exhaust ventilation system or working outside; using proper lubricants; wearing protective clothing; showering and shampooing immediately afterward; and using a wet mop to clean the workshop.[19]
Societies and clubs
There are lapidary clubs throughout the world. In Australia, there are numerous gem shows, including an annual gem show called the GEMBOREE, which is a nationwide lapidary competition. There is a collection of gem and mineral shows held in Tucson, Arizona, at the beginning of February each year. The event began with the Tucson Gem and Mineral Society Show and has now grown to include dozens of other independent shows. In 2012, this concurrent group of shows constituted the largest gem and mineral event in the world. [citation needed]
In the United States, societies include the American Gem Society.
See also
References
- ^ a b Ripley, George; Dana, Charles A., eds. (1860). "Lapidary". The New American Cyclopædia. Vol. X, Jerusalem–MacFerrin. New York: Appleton. pp. 310–311.
- ^ ISBN 978-0-8019-7266-9.
- ^ "Oxford Dictionaries: Definition of lapidary in English". Oxford University Press. Archived from the original on 22 September 2012.
- ^ "lapidary". Webster's New World College Dictionary, 4th Ed. Archived from the original on 3 May 2007.
- ^ a b c Douglas Harper (2014), Lapidary, Online Etymology Dictionary
- ISBN 978-0-8240-4444-2.
- ISBN 978-3-937248-34-9.
- ^ The full and complete history of the lapidary arts International Gem Society, Retrieved January 7, 2015
- ISBN 978-0-8019-7266-9.
- ISBN 978-81-208-0063-2.
- ISBN 978-3-540-72795-8.
- ^ Louis Finot (1896). Les lapidaires indiens (in Sanskrit and French). Champion. pp. 77–139, see other chapters as well.
- ^ Louis Finot (1896). Les lapidaires indiens (in Sanskrit and French). Champion. pp. xiv–xv with footnotes.
- ^ Jason D. Hawkes and Stephanie Wynne-Jones (2015), India in Africa: Trade goods and connections of the late first millennium, L’Afrique Orientale et l’océan Indien: connexions, réseaux d'échanges et globalization, Journal: Afriques, Volume 6 (June 2015), Quote: " The Periplus of the Erythraean Sea, and the Sanskrit Mricchakatika both refer to the jewels made in Ujjain. The evidence from excavations at Ujjain itself, as well as that from surrounding villages, supports this identification. These workshops fed the main market for international trade at the city port of Baruch, at the mouth of the Narmada, which has long been recognized as the main coastal port of the early first millennium. At some point in the mid to late first millennium AD, the center of lapidary workshops appears to have moved from Ujjain to Limudra, and the main port shifted to Khambhat. Exactly when this shift took place and why it occurred is unclear. What is interesting, however, is that throughout the first millennium AD there was a clear and close spatial association between 1) source areas, 2) production centers, and 3) ports connected to the Indian Ocean."
- ISBN 978-1-136-80185-3.
- ^ "Lapidary Fundamentals: Gemstone Tumbling". International Gem Society. Retrieved 2022-02-22.
- ^ "Mohs Hardness Scale (U.S. National Park Service)". www.nps.gov. Retrieved 2022-02-22.
- ISBN 9781581159929.
- ^ a b "Dangerous Dust". Rock & Gem. June 22, 2018.