Middle English literature

Source: Wikipedia, the free encyclopedia.

The term Middle English literature refers to the

Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle
.

After the

Havelock the Dane. In the fourteenth century major works of English literature began once again to appear, including the works of Chaucer. The latter portion of the 14th century also saw the consolidation of English as a written language and a shift to secular writing. In the late 15th century William Caxton
printed four-fifths of his works in English, which helped to standardize the language and expand the vocabulary.

Early period

After the

Old English language continued in some monasteries but few literary works are known from this period.[citation needed] Under the influence of the new aristocracy, Law French
became the standard language of courts, parliament, and polite society.

As the invaders integrated, their language and literature mingled with that of the natives. The Norman dialects of the ruling classes became Anglo-Norman, and Old English underwent a gradual transition into Middle English. Political power was no longer in English hands, so the West Saxon literary language had no more influence than any other dialect. Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers.

While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language. Around the turn of the thirteenth century, Layamon wrote his Brut, based on Wace's twelfth century Anglo-Norman epic of the same name. Layamon's language is recognisably Middle English, though his prosody shows a strong Old English influence remaining.

Other transitional works were preserved as popular entertainment, including a variety of

Havelock the Dane, and Thomas of Hales
's Love Rune.

The Mercian dialect thrived between the 8th and 13th centuries and was referred to by John Trevisa, writing in 1387:[1]

"For men of the est with men of the west, as it were undir the same partie of hevene, acordeth more in sownynge of speche than men of the north with men of the south, therefore it is that Mercii, that beeth men of myddel Engelond, as it were parteners of the endes, understondeth better the side langages, northerne and southerne, than northerne and southerne understondeth either other…"

Not much lyrical poetry of the thirteenth century remains, and even fewer secular love poems; "Foweles in the frith" is one exception.[2]

Late period

Auchinleck Manuscript
which contains a large collection of Middle English poetry

It was with the fourteenth century that major works of English literature began once again to appear; these include the so-called

Pearl Poet's Pearl, Patience, Cleanness, and Sir Gawain and the Green Knight; Langland's political and religious allegory Piers Plowman; John Gower's Confessio Amantis; and the works of Geoffrey Chaucer, the most highly regarded English poet of the Middle Ages, who was seen by his contemporaries as an English successor to the great tradition of Virgil and Dante. Far more manuscripts of the Prick of Conscience than any other Middle English poem survive, however.[3]

The Kildare Poems are a rare example of Middle English literature produced in Ireland, and give an insight into the development of Hiberno-English.

The latter portion of the 14th century also saw not only the consolidation of English as a written language, taking over from French or Latin in certain areas, but a large shift from primarily theological or religious subject matter to also include that of a more secular nature. Vernacular book production saw a growth in the number of books being copied, both secular and religious. Thus, the latter portion of the 14th century can be seen as one of the most significant periods in the history of the English language.[4]

The reputation of Chaucer's successors in the 15th century has suffered in comparison with him, though

bardic poetry, while Douglas's version of Virgil's Aeneid
is one of the early monuments of Renaissance literary humanism in English.

It was a vibrant time for religious drama as well: many

Sidrak and Bokkus
is another example of late Middle English literature.

Caxton and the English language

In the late 15th century the first English printer, William Caxton, printed four-fifths of his works in English. He translated a large number of works into English; Caxton translated 26 of the titles himself. Caxton is credited with printing as many as 108 books, 87 of which were different titles. However, the English language was changing rapidly in Caxton's time and the works he was given to print were in a variety of styles and dialects. Caxton was a technician rather than a writer and he often faced dilemmas concerning language standardisation in the books he printed. (He wrote about this subject in the preface to his Eneydos.[5]) His successor Wynkyn de Worde faced similar problems.

Caxton is credited with standardising the English language (that is, homogenising regional dialects) through printing.[

Chancery Standard English, was a more accomplished stylist and consequently pushed the English language even further toward standardisation.[citation needed
]

See also

References

  1. ^ Elmes, Simon (2005) Talking for Britain: a journey through the nation's dialects . London: Penguin Books (Word 4 word: the voices survey \ BBC).
  2. S2CID 163525837
    .
  3. ^ James H. Morey (ed.),Prik of Conscience, TEAMS Middle English Texts Series (Kalamazoo, MI: Medieval Institute Publications, 2012)
  4. ^ Penn, Stephen (2005) “Literacy and Literary Production” in Chaucer: an Oxford guide, ed. Ellis, Steve (New York: Oxford University Press, 2005), pp. 113-130
  5. ^ Caxton's Chaucer – Caxton's English

Further reading

  • Kaiser, Rolf, ed. (1958) Medieval English: an Old English and Middle English anthology; 3rd ed. Berlin: Rolf Kaiser