Melian (Middle-earth)
Melian | |
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Beren & Lúthien |
Melian is a fictional character in
Melian is an important character in the
Fictional biography
Now Melian had much foresight, after the manner of the Maiar; and when the second age of the captivity of Melkor had passed, she counselled Thingol that the Peace of Arda would not last for ever. He took thought therefore how he should make for himself a kingly dwelling, and a place that should be strong, if evil were to awake again in Middle-earth; and he sought aid and counsel of the Dwarves of Belegost. They gave it willingly, for they were unwearied in those days and eager for new works; and though the Dwarves ever demanded a price for all that they did, whether with delight or with toil, at this time they held themselves paid.[T 1]
Melian is an angelic being, a
Melian and her husband, now known as Elu Thingol, settle in Beleriand, and establish a realm called Doriath, which they rule over as its monarchs. Their only daughter, Lúthien, is the most beautiful person who ever lived in Middle-earth. Weaving "much magic and mystery" around Thingol's halls, Melian uses her vast powers to shroud Doriath in an impenetrable, invisible barrier known as the Girdle of Melian to protect them from Morgoth's forces. It prevents anyone from entering without her or Thingol's permission, bewildering and confusing travellers and wanderers, or driving them mad.
Said to be wiser than "any child of Middle-Earth", Melian is known for her insights into the future, though her counsel is repeatedly left unheeded.[6] In The Children of Húrin, Melian is depicted as trying in vain to "avert the evil that was prepared in the thought of Morgoth": she attempts to convince Morwen against leaving the safety of Doriath,[T 4] advises Túrin on the best course of action,[T 5] and warns Beleg not to take up Anglachel, a cursed blade forged by the Dark Elf Eöl.[T 6] She does convince Húrin to come to terms with his grief over the tragic fate of his family, after he goes on a violent rampage fuelled by rage and bitterness.[7] Thingol himself seldom heeds her advice or warnings; this leads to disaster when his greed for the Silmaril retrieved from Morgoth's crown triggers a series of events which culminates in his own death and the fall of Doriath. Following Thingol's passing, she confers with Lúthien and Beren one final time, before returning to Valinor on her own.
Creation and conception
The name "Melian" means Beloved in Tolkien's constructed language of Sindarin. In Quenya, another of Tolkien's languages, her name is "Melyanna", signifying "Dear Gift" or "Gift of Love" (Q. melya, "dear, lovely" < Q. mel-, "love"; Q. anna, "gift").[T 7]
Tolkien had given Melian other names throughout the development process of his legendarium. She appears in
Tolkien defined Melian as a
Analysis
Female authority figure
"What strikes me about the story of Melian is that she gives up the splendor, joy, and privilege of eternal life in Valinor to dwell in the middle-world, a world of shadows as well as light, out of a vast, unreasonable, powerful love. Thus does Melian the Maia, in her willing sacrifice, become the foremother of some of the most powerful, redeeming figures in Middle-earth's long, scarred history."
— Megan N. Fontenot, Exploring the People of Middle-earth: Melian, Divine Enchantress and Deathless Queen[5]
In an article for
Writing in Mythlore about female authority figures in fiction, Lisa Hopkins argued that "power in the works of Tolkien is often to be found in the hands of a woman", and that in Melian's case "the role of woman as mother as well as wife is markedly stressed".[8] For Hopkins, Melian's marriage with Thingol is parallel to the marriage between Elves and mortal Men, where the wives are always of Elven heritage, and considerable status is attributed to these women within their marriages. She noted the Girdle of Melian is capable of repelling even the power of Morgoth himself, "providing a considerably more potent protection than any which could have been afforded by her husband Thingol".[8]
Marriage to Thingol
Melian's association with Thingol, as well as the continuation of her divine bloodline through the Half-elven and the royal bloodline of the Dúnedain, is considered to be an important element within Tolkien's legendarium.[5][9][8] The scholar Cathy Akers-Jordan noted that as an Elf and thus "the lesser race", Thingol is ennobled by his marriage to Melian the Maia, "a greater race".[9][10] She cited as examples, the concept of an "inner light" associated with the hidden nobility of Aragorn, "in whom the blood of Númenor runs true", as well as the "light of stars" reflected in the eyes of Elrond and Arwen as described by Tolkien.[9] Commentators noted that Lúthien's power is derived from her inheritance of at least some of her mother's might.[8][11] Fontenot suggested that it is partially due to Melian's influence or standing with her Ainur brethren that Lúthien was given an audience with Mandos, and that her plea to have Beren returned to life was ultimately granted.[5] Hopkins in particular highlighted Lúthien as an equal to Beren and suggested that he "would undoubtedly never have survived his quest without her help".[8]
Melian's decision to take "upon herself the form of the Elder Children of Iluvatar" out of love for Thingol represents a more fatal version of the adoption of form by the Ainur, as "in that union she became bound by the chain and trammels of the flesh of Arda".[12] Writing in Mythlore, Robley Evans explained that Tolkien represents creation through music, "the art of time, with its potential for modulation". He drew attention to Tolkien's explanation that The Ainur "are shown visions but not their fulfillment, darkness but not its meaning. They participate in the divine music without knowing its purposes, and give form without knowing consequences, so that creativity, by analogy, will always be ambiguous in its delimiting power".[12] Thus, Melian assumes the form of Elf based on her "knowledge of the visible World, rather than of the World itself".[12]
Shielding her realm, like Galadriel
Several commentators have discussed the relationship between Melian and Galadriel at length. The scholar of English literature
Melian is somewhat Homeric in opposing Ungoliant, the monstrous spider of darkness in The Silmarillion, just as Galadriel opposes Ungoliant's spawn Shelob in The Lord of the Rings.[13] Mac Fenwick noted that while Melian is no longer present in Middle-earth by the Third Age, Galadriel continues her legacy, just as Sauron and Shelob continue the thematic positions of their predecessors Morgoth and Ungoliant.[18]
Comparisons with other characters
"The moral of the story, one that clearly resonates down through the legendarium in an unbroken line from The Story of Kullervo through Turambar and the Foalókë and The Children of Húrin, potent enough to find its way into The Tale of Tinúviel and all its antecedents, is that when the Lady of the Forest tells you to stick to the path, whether it be physical or metaphorical, you best listen. Nothing less than your very fate hangs in the balance."
— Kristine Larsen, Ladies of the Forest: Melian and Mielikki[6]
Ivana Šarić contrasted Melian with
In an article published by Central Connecticut State University, Kristine Larsen contended that Melian was recycled from another character in the Kalevala. Larsen compared her to the Finnish goddess Mielikki in The Story of Kullervo, which played a central role in Tolkien's first attempts to compose original mythology.[6] Verlyn Flieger, the editor of The Story of Kullervo, identifies its "blue-robed Lady of the Forest" character as Mielikki.[T 10] Larsen associates the blue robes with Melian's magical powers of enchantment as well as gift of foresight, a reflection of what Flieger terms Tolkien's "long preoccupation with the nature of magic and the supernatural". Larsen noted that when Tolkien expanded and revised the tale of Beren and Lúthien over the years, he also emphasized the role of Melian as a sage "who pronounces dooms and whose advice is ignored only at significant risk", as well as the tragic consequences suffered by the characters who do not heed her advice.[6] Lisa Coutras noted that Thingol's reckless actions and refusal to heed Melian's counsel about the Silmarils brought about the downfall of his kingdom.[20]
Fontenot makes some comparisons with classical figures, too. She describes Melian as "the Orpheus of Arda", since, much like the lyre-playing musician of Greek myth, "Her voice is so beautiful that all of paradise leaves off its normal activities just to listen to her."[5] Further, she likens Melian to Cassandra, the prophetess of Troy who makes accurate predictions of trouble to come, but is ignored all the same.[5]
Genealogy
Half-elven family tree[T 11][T 12] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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References
Primary
- ^ a b Tolkien 1977 ch. 10 "Of the Sindar"
- ^ a b c Tolkien 1977, ch. 4 "Of Thingol and Melian"
- ^ Tolkien 1977 ch. 14 "Of Beleriand and its Realms"
- ^ Tolkien 2007, p. 77.
- ^ Tolkien 2007, p. 85.
- ^ Tolkien 2007, p. 97.
- ^ Tolkien 1987 "The Etymologies"
- ^ a b Tolkien 1984 Part I, entry "Wendelin"
- ^ a b Tolkien 1984b Part 2 "The Tale of Tinúviel"
- ^ Tolkien 2015, pp. 61-62.
- ^ Tolkien 1977, "Of the Rings of Power and the Third Age": Family Trees I and II: "The house of Finwë and the Noldorin descent of Elrond and Elros", and "The descendants of Olwë and Elwë"
- ^ Tolkien 1955, Appendix A: Annals of the Kings and Rulers, I The Númenórean Kings
Secondary
- ^ ISBN 978-0-415-86511-1.
- ^ ISBN 978-1-1375-5345-4.
- The Mary Sue. Retrieved 15 February 2021.
- ISBN 978-3981061291.
- ^ Tor.com. Retrieved 15 February 2021.
- ^ Journal of Tolkien Research. 9 (1). article 6.
- The Mary Sue. Retrieved 15 February 2021.
- ^ a b c d e Hopkins, Lisa (1996). "Female Authority Figures in the Works of Tolkien, C.S. Lewis and Charles Williams". Mythlore. 21 (2). article 55.
- ^ a b c Akers-Jordan, Cathy (2006). "The Light of Stars: Frodo's Elvish Air". 9 (1). Mythcon.
{{cite journal}}
: Cite journal requires|journal=
(help) - ISBN 978-1-887726-09-2.
- ^ Klag, Katarzyna (2014). "The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien" (PDF). Analyses/Rereadings/Theories Journal. 2 (2).
- ^ a b c d Evans, Robley (1987). "Tolkien's World Creation: Degenerative Recurrence". Mythlore. 14 (1). article 55.
- ^ ISBN 978-0-8020-3806-7.
- Tor.com. Retrieved 14 February 2021.
- Tor.com. Retrieved 14 February 2021.
- ^ Fortner, Angela; Marshall, Peter (1997). "Perspectives in Strength: Four Women in the Writings of C.S. Lewis and J.R.R. Tolkien". Inklings Forever. 1. Taylor University: 142–143.
- ^ Birzer, Bradley J. (28 January 2016). "The Story of Kullervo and the origins of Tolkien's legendarium". The Catholic World Report. Retrieved 15 February 2021.
- ^ Fenwick, Mac (1996). "Breastplates of Silk: Homeric Women in The Lord of the Rings". Mythlore. 21 (3). article 4.
- ^ Šarić, Ivana (2015). Representation of Women in J.R.R. Tolkien's and G.R.R. Martin's Epic Fantasy (PDF) (Diploma thesis). University of Zagreb. Archived (PDF) from the original on 19 June 2024.
- ISBN 978-1-1375-5345-4.
Sources
- OCLC 519647821.
- ISBN 978-0-395-25730-2.
- ISBN 0-395-35439-0.
- ISBN 0-395-36614-3.
- ISBN 0-395-45519-7.
- ISBN 0-007-24622-6.
- ISBN 978-0-00-813136-4.