Saruman
Saruman the White | |
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Saruman, also called Saruman the White, later Saruman of Many Colours, is a fictional character of
Saruman is one of several characters in the book illustrating the
Saruman was portrayed by Christopher Lee in Peter Jackson's The Lord of the Rings and The Hobbit film trilogies.
Appearances
The Lord of the Rings
The Lord of the Rings describes a quest to destroy the
Frodo and Gandalf are reunited at Rivendell midway through The Fellowship of the Ring. The wizard explains why he failed to join Frodo: he had been summoned to consult with Saruman but had been held captive. Saruman initially had proposed that the wizards ally themselves with the rising power of Sauron in order to eventually control him for their own ends, revealing himself as a traitor. Saruman went on to suggest that they could take the Ring for themselves and challenge Sauron. When Gandalf refused both options, the traitorous Saruman imprisoned him in the tower of Orthanc at
In
Saruman is ruined when the Riders of Rohan defeat his army and Merry and Pippin prompt the Ents to destroy Isengard. Saruman himself is not directly involved, and only appears again in chapter 10, "The Voice of Saruman", by which time he is trapped in Orthanc. He fails in his attempt to negotiate with the Rohirrim and with Gandalf, and rejects Gandalf's conditional offer to let him go free. Gandalf casts him out of the White Council and the order of the wizards, and breaks Saruman's
Saruman makes his final appearance at the end of the last volume,
Other books
Consistent accounts of Saruman's earlier history appear in Appendix B to The Lord of the Rings, first published in The Return of the King, and in the posthumously published
Unfinished Tales contains drafts, not included in The Lord of the Rings, that describe Saruman's attempts to frustrate Sauron's chief servants, the Nazgûl, in their search for the Ring during the early part of The Fellowship of the Ring; in one version he considers throwing himself on Gandalf's mercy. There is also a description of how Saruman becomes involved with the Shire and of how he gradually becomes jealous of Gandalf.[T 12] Another brief account describes how the five Istari were chosen by the Valar for their mission.[T 13]
Creation and development
Tolkien had been writing The Lord of the Rings for several years when Saruman came into existence as the solution to a long-unresolved plot development, and his role and characteristics continued to emerge in the course of writing. Tolkien started work on the book in late 1937 but was initially unsure of how the story would develop.
Several of Saruman's other appearances in the book emerged in the process of writing. Christopher Tolkien believes that the old man seen by
Characterisation
"[His voice was] low and melodious, its very sound an enchantment [...] it was a delight to hear the voice speaking, all that it said seemed wise and reasonable, and desire woke in them by swift agreement to seem wise themselves ... for those whom it conquered the spell endured while they were far away and ever they heard that soft voice whispering and urging them."
The Two Towers Book 3, Chapter 10
Tolkien described Saruman at the time of The Lord of the Rings as having a long face and a high forehead, "...he had deep darkling eyes ... His hair and beard were white, but strands of black still showed around his lips and ears."[T 5] His hair is elsewhere described as having been black when he first arrived in Middle-earth. He is referred to as 'Saruman the White' and is said to have originally worn white robes, but on his first entry in The Fellowship of the Ring they instead appear to be "woven from all colours [, they] shimmered and changed hue so that the eye was bewildered" and he names himself 'Saruman of Many Colours'.[T 3]
The power of Saruman's voice is noted throughout the book. Jonathan Evans calls the characterisation of Saruman in the chapter The Voice of Saruman a "tour de force".
After the defeat of his armies, having been caught in the betrayal of Sauron, Saruman is offered refuge by Gandalf, in return for his aid, but having chosen his path, is unable to turn from it.[7] Evans has compared the character of Saruman to that of Satan in John Milton's Paradise Lost in his use of rhetoric and in this final refusal of redemption, "conquered by pride and hatred".[3]
Literary themes
Saruman has been identified by critics as demonstrating the fall of an originally good character and has distinctively modern connections with technology.
Tolkien writes that The Lord of the Rings was often criticized for portraying all characters as either good or bad, with no shades of grey, a point to which he responds by proposing Saruman, along with Denethor and Boromir, as examples of characters with more nuanced loyalties.[T 20] Marjorie Burns writes that while Saruman is an "imitative and lesser" double of Sauron, reinforcing the Dark Lord's character type, he is also a contrasting double of Gandalf, who becomes Saruman as he "should have been", after Saruman fails in his original purpose.[10]
Saruman "was great once, of a noble kind that we should not dare raise our hands against" but decays as the book goes on.[11] Patricia Meyer Spacks calls him "one of the main case histories [in the book] of the gradual destructive effect of willing submission to evil wills".[7] Paul Kocher identifies Saruman's use of a palantír, a seeing-stone, as the immediate cause of his downfall, but also suggests that through his study of "the arts of the enemy", Saruman was drawn into imitation of Sauron.[12] According to Jonathan Evans and Spacks, Saruman succumbs to the lust for power,[3][7] while Shippey identifies Saruman's devotion to goals of knowledge, organization and control as his weakness.[13] Tolkien writes that the Istari's chief temptation (and that to which Saruman fell) is impatience, leading to a desire to force others to do good, and then to a simple desire for power.[T 21]
Saruman is in part the architect of his own downfall. Kocher,
In the end, the diminished Saruman is murdered, his throat cut, and Shippey notes that when he dies his spirit "dissolved into nothing". He identifies Saruman as the best example in the book of "wraithing", a distinctive 20th-century view of evil that he attributes to Tolkien in which individuals are "'eaten up inside' by devotion to some abstraction".[13] Referring to Saruman's demise, Kocher says that he is one example of the consistent theme of nothingness as the fate of evil throughout The Lord of the Rings.[20]
Adaptations
Saruman has appeared in film, radio, stage and video game adaptations of The Lord of the Rings. BBC Radio produced the first adaptation in 1955, in which Saruman was played by Robert Farquharson, and which has not survived. Tolkien was disappointed by it.[21]
In
BBC Radio's second adaptation of The Lord of the Rings, from 1981, presents Saruman much as in the books. Smith and Matthews report Peter Howell's performance as Saruman as "brilliantly ambiguous ..., drifting from mellifluous to almost bestially savage from moment to moment without either mood seeming to contradict the other".[24]
Saruman is played by Matti Pellonpää in the 1993 television miniseries Hobitit produced and aired by Finnish broadcaster Yle.[25]
In
In Jackson's
In the 2014 video game Middle-earth: Shadow of Mordor, Saruman is voiced by Roger L. Jackson.[31] Saruman appears as a minor villain in Lego Dimensions, in which he allies himself with main antagonist Lord Vortech.[32]
Notes
References
Primary
- ^ Tolkien 1954a Book 1 Chapter 2 "The Shadow of the Past".
- ^ Tolkien 1937, Chapter 19 "The Last Stage"
- ^ a b c Tolkien 1954a Book 2 Chapter 2 "The Council of Elrond"
- ^ Tolkien 1954 Book 3 Chapter 4 "Treebeard"
- ^ a b Tolkien 1954 Book 3 Chapter 10 "The Voice of Saruman"
- ^ Tolkien 1955 Book 6, Chapter 6 "Many Partings"
- ^ Tolkien 1955 Book 6 Chapter 7 "Homeward Bound"
- ^ a b Tolkien 1955 Book 6 Chapter 8 "The Scouring of the Shire"
- ^ Tolkien 1955 Appendix B, "The Third Age".
- Lords of the West, sent to Middle-earth, as the great crisis of Sauron loomed on the horizon."
- ^ Tolkien 1977 "Of the Rings of Power and the Third Age"
- ^ Tolkien 1980 Part 3 Chapter 4 "The Hunt for the Ring"
- ^ Tolkien 1980 Part 4 Chapter 2 "The Istari"
- ^ Carpenter 2006 Letters #163 to W. H. Auden, June 1955.
- ^ Tolkien 1988 "Foreword"
- ^ Tolkien 1989 Chapter 4. The outline suggests that Saruman is assisted by the "giant" Treebeard, an early and evil iteration of the Ent Treebeard from the finished book.
- ^ Tolkien 1989 Gandalf says of the incident, "You certainly didn't see me, so you must have seen Saruman."
- ^ Tolkien 1992 Saruman did not appear in the first draft of the chapter; Christopher Tolkien writes: "It is striking that here, virtually at the end of the Lord of the Rings and in an element that my father had long meditated [that] he did not perceive that it was Saruman who was the real Boss, Sharkey, at Bag End".
- ^ Tolkien 1992 Chapter 9 "The Scouring of the Shire"
- ^ Carpenter 2006 Letters #154 to Naomi Mitchison, September 1954.
- ^ Carpenter 2006 Letters #181 to M. Straight, January 1956.
- ^ Tolkien 1954 Book 3 Chapter 4 "Treebeard" The quote is used as an illustration by Shippey, Spacks and Kocher among many others.
Secondary
- ^ a b Clark Hall, J. R. (2002) [1894]. A Concise Anglo-Saxon Dictionary (4th ed.). University of Toronto Press. p. 300.
- ^ Carpenter 2002 Part 5 Chapter II p. 247.
- ^ J. R. R. Tolkien Encyclopedia'Saruman' by Jonathan Evans pp. 589–590.
- ISBN 978-0-618-64267-0.
- ISBN 0-268-00279-7.
- ^ Tolkien's 1936 British Academy lecture.
- ^ ISBN 0-268-00279-7.
- ISBN 978-0-8131-2418-6.
- ISBN 978-1119656029.
- ISBN 978-0-415-96942-0.
- ^ Kocher 1973 Chapter 4 p. 79, Kocher quoting Frodo's speech of The Return of the King Book 6 Chapter 8
- ^ Kocher 1973 Chapter 3 "Cosmic Order", p. 51, and Chapter 4 "Sauron and the nature of evil", p. 68.
- ^ a b Shippey 2001 Chapter 4 "Saruman and Denethor: technologist and reactionary" pp. 121–128.
- ISBN 978-0-415-96942-0.
- ^ Shippey 2005 Chapter 4 'The horses of the Mark' pp. 139–140.
- ^ Shippey 2005 Chapter 5 "Interlacements and the Ring" p. 195.
- ^ Shippey 2005 Chapter 5 'Interlacements and the Ring' pp. 186–188.
- ^ Kocher 1973 Chapter 3 "Cosmic Order", pp. 44–46.
- ISBN 0-395-18490-8.
- ^ Kocher 1973 Chapter 4 "Sauron and the nature of evil", p. 79.
- ^ Smith & Matthews 2004 'Of the beginning of days' pp. 15–16.
- ^ Smith & Matthews 2004 "JRR Tolkien's The Lord of the Rings" p. 54.
- ^ Smith & Matthews 2004 "JRR Tolkien's The Lord of the Rings" pp. 63–70.
- ^ Smith & Matthews 2004 "An Unexpected Party", p. 83.
- ^ "Hobitit". Video Detective. 29 March 1993. Retrieved 27 September 2020.
- ^ Jackson, Peter (2004). The Lord of the Rings : The Fellowship of the Ring Extended Edition (Director and Writers' commentary) (DVD). New Line Cinema. Event occurs at Disc 1 Chapter 12 00:46:43.
- ^ Smith & Matthews 2004 'The Return of the King' (2003) p. 177.
- ^ "Hey, what happened to Saruman?". Associated Press. Archived from the original on 30 November 2004. Retrieved 23 January 2008.
- ^ Boyens, Phillipa; Jackson, Peter; Walsh, Fran (2004). The Lord of the Rings : The Return of the King Extended Edition (Director and Writers' commentary) (DVD). New Line Cinema. Event occurs at Disc 1 Chapter 4 00:17:26.
- ^ Vineyard, Jennifer (17 December 2012). "Five things changed/expanded from the book for 'The Hobbit' films". CNN. Retrieved 27 September 2020.
- ^ "Saruman the White". Behind the Voice Actors. Retrieved 27 September 2020.
- ^ The Escapist Staff (13 August 2017). "Save the Multiverse With Our Full LEGO Dimensions Story Levels Guide". The Escapist. Retrieved 27 September 2020.
Sources
Secondary
- ISBN 0-00-713284-0.
- Carpenter, Humphrey, ed. (2006) [1981]. ISBN 0-261-10265-6.
- ISBN 0-500-01095-1.
- ISBN 0-261-10275-3.
- ISBN 0-261-10401-2.
- Smith, Jim; Matthews, J. Clive (2004). The Lord of the Rings: the Films, the Books, the Radio Series. London: OCLC 56460751.
- ISBN 978-0-618-42253-1.
History of composition
- ISBN 978-0-395-49863-7.
- ISBN 978-0-395-51562-4.
- ISBN 0-395-60649-7.
Fiction
- ISBN 978-0-618-13470-0.
- OCLC 9552942.
- OCLC 1042159111.
- OCLC 519647821.
- ISBN 978-0-395-25730-2.
- ISBN 978-0-395-29917-3.