Two Trees of Valinor

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Source: Wikipedia, the free encyclopedia.

"The Two Trees" redirects here. For W. B. Yeats's 1893 poem, see
The Rose (Yeats)
.

In

White Tree of Gondor stands dead in the citadel of Minas Tirith. When Aragorn
restores the line of Kings to Gondor, he finds a sapling descended from Telperion and plants it in his citadel.

Commentators have seen mythic and

medieval Trees of the Sun and the Moon. Parallels have also been identified with Celtic mythology, where several pairs of trees appear. The White Tree of Gondor, too, has been traced to the medieval Dry Tree, a symbol of resurrection. Verlyn Flieger has described the progressive splintering of the light of the Two Trees through Middle-earth's troubled history, noting that light represents the Christian Logos. Tom Shippey links the sundering of the Elves into different groups to the Two Trees and to the Prose Edda which speaks of light and dark Elves
; Tolkien treats the difference between these as whether they have made the journey to Valinor and seen the light of the Two Trees.

Narrative

Prelude

The first sources of light for all of Tolkien's imaginary world,

two enormous Lamps on the central continent, Middle-earth: Illuin, the silver one to the north, and Ormal, the golden one to the south. They are created by the Valar, powerful spirit beings, but are cast down and destroyed by the Dark Lord Melkor.[T 1]

Creation

The Valar retreat to

Varda.[T 1]

Each Tree, in turn, gives off light for seven hours (waxing to full brightness and then slowly waning again), with the ends of their cycles overlapping, so that at one hour each of "dawn" and "dusk" soft gold and silver light are given off together. Each "day" of first silver then gold light lasts twelve hours.[T 1]

  • Arda in the Years of the Trees
    Arda in the Years of the Trees
  • Tolkien stated that the light from the Two Trees of Valinor alternately waxed and waned, overlapping by an hour.[T 1]
    Tolkien stated that the light from the Two Trees of Valinor alternately waxed and waned, overlapping by an hour.[T 1]

Destruction

Countless "days" pass, until Melkor reappears. He enlists the help of the giant spider Ungoliant to destroy the Two Trees. Concealed in a cloud of darkness, Melkor strikes each Tree and the insatiable Ungoliant devours whatever life and light remains in it.[T 3]

Aftermath

Yavanna and Nienna attempt a healing, but they succeed only in reviving Telperion's last flower (to become the

Silmarils, jewels created with the light of the Two Trees before their destruction, by the Elf Fëanor.[T 5]

Coat of arms of Gondor bearing the white tree, Nimloth the fair

Because the Elves that first come to

Third Age, he finds a seedling in the snow on the mountain behind the city, and brings it back to the citadel, where it flourishes.[T 8]

Tolkien never mentioned any tree made in the likeness of Laurelin, writing that "of Laurelin the Golden no likeness is left in Middle-Earth".[T 9] In the First Age, however, the Elvish King Turgon of the city of Gondolin creates a non-living image of Laurelin, named Glingal, 'Hanging Flame', which stands in his court.[T 10]

Origins

Further information: Tolkien and the medieval and Tolkien and the Celtic

The Tolkien scholar John Garth traces the mythology and symbolism of the Two Trees to the medieval Trees of the Sun and the Moon. Tolkien stated in an interview[a] that the Two Trees derived from them, "in the great Alexander stories"[1] rather than from the World Tree Yggdrasil of Norse myth. Garth notes that the Wonders of the East, an Old English manuscript in the same Codex as Beowulf, tells that Alexander the Great travelled beyond India to Paradise, where he saw the two magical trees. They drip down a wonderful balsam, and have the power of speech. They tell Alexander that he will die in Babylon. Garth writes that Tolkien's trees emit light, not balsam; and instead of prophesying death, their own deaths bring Arda's era of immortality to an end.[1]

Marie Barnfield, writing in

Well of Segais.[2]

Tolkien read the Finnish Kalevala closely. Its central symbol is the magical Sampo, a device that brought wealth and good fortune to its owner, but whose mechanism is described only vaguely. Jonathan Himes, writing in Mythlore, has suggested that Tolkien found the Sampo complex, and chose to split the Sampo's parts into desirable objects. Its pillar became the Two Trees of Valinor with their Tree of life aspect, illuminating the world. Its decorated lid became the brilliant Silmarils, which embodied all that was left of the light of the Two Trees, thus tying the symbols together.[3][4]

Significance

The Elder Days

Further information: Dry Tree

J.R.R. Tolkien Encyclopedia that the Two Trees are "the most important mythic symbols in all of the legendarium".[5] He quotes Tolkien's words in The Silmarillion that "about their fate all the tales of the Elder days are woven".[5] They have that central place because they are the source of the light for the world of Arda while they live, and they are the ancestors of the various trees that symbolise the Kingdoms of Númenor and later of Gondor. Further, they contain the "thought of things that grow in the earth", placed in them by the Vala Yavanna when she sang them into being.[5] Angelica Varandas likewise comments that the Two Trees are "the most significant symbols of peace, prosperity and order" in the legendarium, and calls them axis mundi trees, like those in the Garden of Eden or the Norse world-tree, Yggdrasil.[6]

Cynthia Cohen writes in Tolkien Studies that the White Tree of Gondor in The Lord of the Rings stands for "the deeper history of Men in Tolkien's Secondary World, reaching back to [its ancestors,] the Two Trees of Valinor".[7] During most of the action of the novel, the tree is dead, and has been for over a century, but all the same it serves as a symbol of Gondor's strength and national identity, and of hope for the Kingdom's renewal. She suggests that the White Tree parallels the Dry Tree mentioned in the 14th century text Mandeville's Travels. The Dry Tree had been alive in the time of Christ, and was prophesied to come to life again when a "great lord from the western part of the world" returned to the Holy Land, just as Aragorn brings the line of Kings back to Gondor. Cohen comments that the dead White Tree's replacement by a living sapling "upholds the metaphor of resurrection and enables Tolkien to draw an implicit connection between Aragorn and Christ".[7] Finally, she remarks on the verse that Aragorn recites when he sees the White Mountains of Gondor: "West Wind blew there; the light upon the Silver Tree / Fell like bright rain in gardens in the Kings of old," which she states links Telperion, the Silver Tree of Valinor, to the White Tree. Since Tolkien has left it ambiguous whether the Silver Tree of the verse, the place where the West Wind blew, or where the "bright rain" fell, are in long-ago Valinor or present-time Gondor, the ancestry of the tree and the lineage of the Kings merge into a continuum.[7]

Patrick Curry, in the J.R.R. Tolkien Encyclopedia, writes that the importance that Tolkien gives to the Two Trees shows "the iconic status of trees in both his work and his life."[8] Richard Goetsch adds that the Two Trees are "central to many of the crucial plot developments of the entire saga, from the beginning of the First Age to the end of the Third Age", and further that they "function as the ultimate expression of the natural world in Tolkien's mythos."[9]

Light

Further information: Christianity in Middle-earth § Light

Tolkien, as a

Roman Catholic, knew the significance of light in Christian symbolism; he equated it with the Christian Logos, the Divine Word.[10] The scholar Lisa Coutras states that transcendental light is an essential element of his subcreated world. In it, the Two Trees embody the light of creation, which in turn reflects God's light.[11]

First Age is strongly affected by the desire of many characters, including the dark lord Morgoth (as Melkor is now known) to possess the Silmarils that contain the only remaining unsullied light of the Trees. Morgoth desires them for himself, and manages to steal them, provoking the world-changing War of the Jewels.[8][13] One of the Silmarils survives, and Varda puts it in the sky to symbolise hope: it is Venus, the Morning and Evening Star.[8]

philologist, analyses Tolkien's treatment of the light and dark elves mentioned in the 13th century Prose Edda: in Old Norse, Ljósálfar and Dökkálfar. Tolkien makes the distinguishing feature between these two groups whether the Elves had seen the light of the Two Trees of Valinor, or not. To make this work, Tolkien creates a story in which the Elves awaken in Middle-earth, and are called to undertake the long journey to Valinor. The Elves of the Light, Tolkien's Calaquendi, are those who successfully complete the journey, while the Elves of the Darkness, the Moriquendi, are those Elves who, for whatever reason, do not arrive in Valinor.[14][T 11][15]

Diagram of the Sundering of the Elves, showing Tolkien's overlapping classifications. The main division is into Calaquendi and Moriquendi, Light-Elves and Dark-Elves, meaning those who had or had not seen the light of the Two Trees. These names correspond to those in Old Norse, Ljósálfar and Dökkálfar.[14]

Elves and Men

Third Ages, the White Trees of Númenor and of Gondor, whose likeness descends from that of Telperion, have a mostly symbolic significance, standing both for the kingdoms in question, and also as reminders of the ancestral alliance between the Men who had lived on Númenor and the Elves. The destruction of one of these trees precedes trouble for each kingdom in question.[5]

Martin Simonson describes the destruction of the Two Trees as setting a "mythical precedent" for the transfer of the stewardship of Arda (Earth) from the Valar to Elves and Men. In his view, this stewardship is central to the moral battle, as the Two Trees, like Men and Elves, are composed of both matter and spirit.[16] Dickerson and Jonathan Evans note that Tolkien calls the Elves "stewards and guardians of [Middle-earth's] beauty"; they are constantly preoccupied with maintaining the beauty of nature, something they inherited from Yavanna's making of the Two Trees.[17]

See also

Notes

  1. ^ Garth states (in a footnote, no. 43) this was a radio interview with Denys Geroult, BBC, 1965.[1]

References

Primary

  1. ^ a b c d e f Tolkien 1977, "Quenta Silmarillion" ch. 1 "Of the Beginning of Days"
  2. ^ Tolkien 1987, p. 209
  3. ^ Tolkien 1977, "Quenta Silmarillion" ch. 8 "Of the Darkening of Valinor"
  4. ^ Tolkien 1977, "Quenta Silmarillion" ch. 11 "Of the Sun and Moon and the Hiding of Valinor"
  5. ^ Tolkien 1977, "Quenta Silmarillion" ch. 9 "Of the Flight of the Noldor"
  6. ^ Tolkien 1977, "Quenta Silmarillion", ch. 5 "Of Eldamar and the Princes of the Eldalië"
  7. ^ Tolkien 1977, "Akallabêth: The Downfall of Númenor"
  8. ^ Tolkien 1977, "Of the Rings of Power and the Third Age"
  9. ^ Tolkien 1955, Appendix A, I (i) Númenor
  10. ^ Tolkien 1977, ch. 15"Of the Noldor in Beleriand"
  11. ^ Tolkien 1994, "Quendi and Eldar"

Secondary

  1. ^
    ISBN 978-0-7112-4127-5. ... the lakes of sun and moon from the Old English Wonders of the East
    .
  2. JSTOR 45321637
    .
  3. ^ Himes, Jonathan B. (2000). "What J.R.R. Tolkien Really Did with the Sampo?". Mythlore. 22 (4). Article 7.
  4. ^ Lönnrot, Elias; Crawford, John Martin (trans.) (1888). "Rune X". Kalevala.
  5. ^
    ISBN 978-0-415-96942-0. {{cite book}}: |work= ignored (help
    )
  6. ISBN 978-1-4438-7594-3
    .
  7. ^
    ISSN 1547-3163
    .
  8. ^
    ISBN 978-0-415-86511-1
    .
  9. ^ Goetsch, Richard A. "Environmental Stewardship in the Works of J. R. R. Tolkien". Trinity Evangelical Divinity School. Retrieved 1 August 2023.
  10. ^ Flieger 1983, pp. 44–49.
  11. ISBN 978-1-137-55344-7
    .
  12. ^ Flieger 1983, pp. 60–63.
  13. ISBN 978-0-415-96942-0. {{cite book}}: |work= ignored (help
    )
  14. ^
    ISBN 978-0261-10401-3
    .
  15. ISBN 978-0-415-86511-1
    .
  16. S2CID 165620730
    .
  17. ISBN 978-0-8131-2418-6
    .

Sources
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