Aspendos

Coordinates: 36°56′20″N 31°10′20″E / 36.93889°N 31.17222°E / 36.93889; 31.17222
Source: Wikipedia, the free encyclopedia.
This article is about the ancient city in present-day Turkey. For the medication marketed as Aspendos, see Modafinil.
Aspendos
Ἄσπενδος (in Ancient Greek)
The Roman Basilica at Aspendos, 2011
Aspendos is located in Turkey
Aspendos
Shown within Turkey
Alternative nameAspendus
LocationSerik, Antalya Province, Turkey
RegionPamphylia
Coordinates36°56′20″N 31°10′20″E / 36.93889°N 31.17222°E / 36.93889; 31.17222
TypeSettlement

Aspendos or Aspendus (

Antalya province of Turkey. The site is located 40 km east of the modern city of Antalya
.

It was situated on the

Eurymedon River about 16 km inland from the Mediterranean Sea; it shared a border with, and was hostile to, the ancient city of Side.[1]

History

Coins of Aspendos

The wide range of its coinage throughout the ancient world indicates that, in the 5th century BC, Aspendos had become the most important city in Pamphylia. At that time, according to Thucydides, the Eurymedon River was navigable as far as Aspendos,[2] and the city derived great wealth from a trade in salt, oil and wool.

Aspendos did not play an important role in antiquity as a political force. Its political history during the colonisation period corresponded to the currents of the

Persian
domination. The fact that the city continued to mint coins in its own name, however, indicates that it had a great deal of freedom even under the Persians.

Circa 465 BC, Cimon led an Athenian navy against a Persian navy in the Battle of the Eurymedon, and destroyed it. Aspendos then became a member of the Delian League.[3]

The Persians captured the city again in 411 BC and used it as a base. In 389 BC,

Peloponnesian Wars, anchored off the coast of Aspendos in an effort to secure its surrender. Hoping to avoid a new war, the people of Aspendos collected money among themselves and gave it to the commander, entreating him to retreat without causing any damage. Even though he took the money, he had his men trample all the crops in the fields. Enraged, the Aspendians stabbed and killed Thrasybulus in his tent.[citation needed
]

Plan of Aspendos

When

Perge, the citizens sent envoys asking him not to garrison soldiers there. He agreed, provided he would be given the taxes and horses that they had formerly paid as tribute to the Persian king.[citation needed] After reaching this agreement Alexander went to Side, leaving a garrison there on the city's surrender. Going back through Sillyon, he learned that the Aspendians had failed to ratify the agreement their envoys had proposed and were preparing to defend themselves. Alexander marched to the city immediately. When they saw Alexander returning with his troops, the Aspendians, who had retreated to their Acropolis
, again sent envoys to sue for peace. This time, however, they had to agree to very harsh terms; a Macedonian garrison would remain in the city and 100 gold talents as well as 4,000 horses would be given in tax annually.

In 190 BC, the city surrendered to the

Byzantine times seems to have been known as Primopolis. Toward the end of the Roman period the city began a decline that continued throughout Byzantine times, although in medieval times it was evidently still a strong place.[2]

Diogenes Laërtius writes that there was a native of Aspendos called Demetrius, who was a pupil of Apollonius of Soli.[5] In addition, he mentions Diodorus of Aspendus.[6]

Greek and Roman structures

The Roman Theatre of Aspendos

Aspendos is known for having the best-preserved theatre of antiquity, the Roman Theatre of Aspendos.[7] With a diameter of 96 metres (315 ft), it provided seating for 7,000.[8] Even though, the recent Aspendus Culture and Film Festival has shown that it can hold over 20,000.[9]

It was built in 155

Seljuqs of Rum.[10]

The Stadium

As was usual to minimise construction complexity and cost, part of the theatre was built against the hill where the Citadel (Acropolis) stood, while the remainder was built on vaulted arches. The high stage, whose supporting columns are still in place,[2] served to seemingly isolate the audience from the rest of the world. The scaenae frons, or backdrop, has remained intact. The 8.1 metre (27 ft) sloping reflective wooden ceiling over the stage has been lost over time. Post holes for 58 masts are found in the upper level of the theatre. These masts supported a velarium or awning that could be pulled over the audience to provide shade.[8] The diameter of the orchestra is 23.87 meters and the height of the columnatio (stage backdrop) was 15.7 meters.[11]

The unique 19 km-long

denarii
to build an aqueduct here.

Nearby stand the remains of a stadium, baths, basilica, agora and nymphaeum. The Roman Eurymedon Bridge, reconstructed in the 13th century, is also in the vicinity.

Coinage

Ancient coin from Aspendos
Silver stater from Aspendos dated 370–333 BC. Obverse: Olympic games-type scene: two wrestlers grappling, the letters delta and alpha between their legs; Reverse: Slinger, wearing short chiton, discharging sling to right, triskeles on right with feet clockwise; Size: 23.6mm

Aspendos was one of the earliest cities to mint coins. It began issuing coinage around 500 BC, first staters and later drachmas; "the slinger on the obverse represents the soldiery for which Aspendus was famous in antiquity,"[13] the reverse frequently depicts a triskelion. The legend appears on early coins as the abbreviation ΕΣ or ΕΣΤϜΕ; later coinage has ΕΣΤϜΕΔΙΙΥΣ, the adjective from the city's local (Pamphylian) name Estwedus. The city's numismatic history extends from archaic Greek to late Roman times.[14]

Bishopric

The Christian

Robber Council of Ephesus held the same year, and Leo at the Second Council of Nicaea in 787.[15][16]

No longer a residential bishopric, Aspendus is today listed by the Catholic Church as a titular see.[17]

Aspendos International Opera and Ballet Festival

Main article: Aspendos International Opera and Ballet Festival

The theatre hosts the annual Aspendos International Opera and Ballet Festival organized by Turkish State Opera and Ballet since 1994, with international participation of opera and ballet companies and an audience of about 10,000.

Dalida held her last concert there on 28 April 1987.

Gallery

  • Aspendos Agora and Market Hall
    Aspendos Agora and Market Hall
  • The Ornamental Gate
    The Ornamental Gate
  • Roman aqueduct of Aspendos
    Roman aqueduct of Aspendos
  • The Basilica
    The Basilica
  • The Eurymedon Bridge
    The Eurymedon Bridge
  • The Nymphaeum
    The Nymphaeum
  • Aspendos Temple
    Aspendos Temple

References

  1. ISBN 90-04-12578-7
    ), p. 189.
  2. ^ a b c d Hogarth, David George (1911). "Aspendus" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 2 (11th ed.). Cambridge University Press. pp. 766–767.
  3. ^ Holidays to Turkey info Archived 2012-01-11 at the Wayback Machine
  4. ^ Cicero. In Verrem II. pp. 1. Chapter 53.
  5. ^ Diogenes Laertius, Lives of the Philosophers, § 5.83
  6. ^ Diogenes Laertius, Lives of the Philosophers, § 6.13
  7. ISBN 0-8109-0626-0
    . The Roman theater survives virtually intact... scarcely another surviving theater gives a better impression of just how the Roman theater - a solid single unified structure - differed from the Greek theater, which was made up of separate structures juxtaposed but each isolated and complete in itself.
  8. ^
    ISBN 0-06-430158-3
    .
  9. ^ Whitman College. "The Roman Theatre at Aspendus". Retrieved 2024-01-19.
  10. ^ Scott Redford, "The Seljuqs of Rum and the Antique," Muqarnas, Vol. 10, Essays in Honor of Oleg Grabar. (1993), p. 151.
  11. ^ Sear, Frank. Roman Theatres: An Architectural Study. p. 35.
  12. ^ Kessener, H. P. M. (2000). The aqueduct at Aspendos and its inverted Siphon. American Journal of Archaeology 13, 105 - 132
  13. ^ A Catalogue of the Greek Coins in the British Museum (British Museum. Dept. of Coins and Medals, 1897), p. lxxii.
  14. ^ "Asia Minor Coins – Greek and Roman coins of Aspendos". Archived from the original on 2011-01-04. Retrieved 2008-10-02.
  15. ^ Michel Lequien, Oriens christianus in quatuor Patriarchatus digestus, Paris 1740, Vol. I, coll. 1001–1002
  16. ^ Pius Bonifacius Gams, Series episcoporum Ecclesiae Catholicae, Leipzig 1931, p. 450
  17. ISBN 978-88-209-9070-1
    ), p. 840

External links

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