Architecture of the United States

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The architecture of the United States demonstrates a broad variety of architectural styles and built forms over the country's history of over two centuries of independence and former Spanish, French, Dutch and British rule.

Architecture in the United States has been shaped by many internal and external factors and regional distinctions. As a whole it represents a rich eclectic and innovative tradition.[1]

Pre-Columbian

Thomas Jefferson designed his Neoclassical estate, Monticello, in Virginia.
Cliff Palace, an ancient dwelling complex in Colorado

The oldest surviving non-imported structures on the territory that is now known as the United States were made by the

four corners region.[2] The Tiwa speaking people have inhabited Taos Pueblo continuously for over 1000 years.[3] Algonquian villages Pomeiooc and Section in what later became coastal North Carolina survive from the late 16th century. Artist and cartographer John White stayed at the short-lived Roanoke Colony
for 13 months and recorded over 70 watercolor images of indigenous people, plants, and animals.

The remote location of the

culture of Hawaii. Post-contact late-19th-century Hawaiian architecture shows various foreign influences such as the Victorian
, Georgian, and early-20th-century Spanish Colonial Revival styles.

Colonial

San Miguel Chapel, built in 1610 in Santa Fe, is the oldest church structure in the United States.

When the Europeans settled in

oldest buildings in America have examples of that. Construction was dependent on the available resources. Wood and brick are the most common elements of English buildings in New England
, the Mid-Atlantic, and the coastal South. It had also brought the conquest, destruction, and displacement of the indigenous peoples existing buildings in their homeland, as their dwelling and settlement construction techniques devalued compared to colonial standards. The colonizers appropriated the territories and sites for new forts, dwellings, missions, churches, and agricultural developments.

Spanish influences

The Spanish colonial architecture in the United States was markedly different from the European styles adopted in other parts of America such as the simple French colonial houses in the Mississippi Valley, which were consisted of adjoining rooms that opened upon a galerie.[4] The Spanish architecture (particularly evident in ecclesiastical establishments) built in the states of Texas, New Mexico, Arizona, California, Florida, and Georgia was similar to the design adopted in Mexico.[4] According to scholars, the Spaniards built without any consideration to the cost, believing that their tenure in America would be eternal.[5]

Florida

New Orleans, Louisiana. Fires in 1788 and 1794 destroyed the original French structures in New Orleans. Many of the city's present buildings
date to late-18th-century rebuilding efforts.

The two earliest continuously occupied European settlements in the United States are St. Augustine, Florida founded in 1565 and Santa Fe, New Mexico. St. Augustine, the first continuously European-occupied city in North America, was established in 1565. Beginning in 1598, quarried coquina from Anastasia Island contributed to a new colonial style of architecture in this city. Coquina is a limestone conglomerate, containing small shells of mollusks. It was used in the construction of residential homes, the City Gate, the Cathedral Basilica, the Castillo de San Marcos, and Fort Matanzas. The city of St. Augustine is one of the rare vestiges of 17th-century Spanish colonial architecture in the present day United States.

Southwest

Mission San Xavier del Bac near Tucson, Arizona

Spanish exploration of the North American deserts, the present day

Pueblo Revival Style architecture style developed in the region. The Mission San Xavier del Bac near Tucson, Arizona, has Churrigueresque detailing from southern examples in New Spain. Its facade is framed by two massive towers and the entrance is flanked by estipites
.

California province

In the late 18th century, the Spanish founded a series of

Franciscans created a linear network of twenty-one Missions in California. The missions had a significant influence on later regional architecture. An example of a period residence is the Casa de la Guerra, in Santa Barbara
.

Dutch influences

Developed from around 1630 with the arrival of Dutch colonists to

Hudson River Valley in what is now New York[6] and in Bergen in what is now New Jersey.[7][8]
Initially the settlers built small, one room cottages with stone walls and steep roofs to allow a second floor loft. By 1670 or so, two-story gable-end homes were common in New Amsterdam.

French influences

French Colonial developed in the settlements of the

plantation house.[10]

English influences

saltbox" form characteristic of New England

Excavations at the first permanent English-speaking settlement, Jamestown, Virginia (founded 1607) have unearthed part of the triangular James Fort and numerous artifacts from the early 17th century. Nearby Williamsburg was Virginia's colonial capital and is now a tourist attraction as a well-preserved 18th-century town.

The New World population of 200,000 in 1657, ninety percent of whom drew from England, used the same simple construction techniques as those in their respective mother countries.[11] These settlers often came to the New World for economic purposes, therefore revealing why most early homes reflect the influences of modest village homes and small farms. The appearance of structures was very plain and made with little imported material. Windows, for example, were extremely small. The size did not increase until long after the British were manufacturing glass. This was because the Venetians had not rediscovered the strictly Roman clear glass until the 15th century and it did not come to England until another hundred years later.[12] The few windows that did exist on early colonial homes had small panes held together by a lead framework, much like a typical church's stained glass window. The glass that was used was imported from England and was incredibly expensive.[13] In the 18th century, many of these houses were restored and sash windows replaced the originals. These were invented by Robert Hooke (1635–1703) and were made so that one panel of glass easily slid up, vertically, behind another.[14]

St. Luke's Episcopal Church in Smithfield, Virginia, thought to be the oldest surviving brick church in the English Colonies of what would become the United States, dating to the mid-late 17th century

Timber, especially white and red cedar, made for a great building resource and was readily abundant for the settlers in the English colonies, so naturally many houses were made of wood.[15] As for decorative elements, as said before most colonial houses were built plainly and therefore most colonial house designs led to a very simple outcome. Although one subtle element of ornamentation that was used on the front door. The owner would take nails, think of an object or pattern to make with them, and nail that decoration onto the door. The more nails one had, the more extravagant and elaborate the pattern could become.[16]

The most prized architectural aspect of the house was the chimney. Large and usually made of brick or stone, the chimney was very fashionable at this time, specifically 1600–1715. During the Tudor period in England, which lasted up until around 1603, coal became the popular material for heating the home. Before that, a wood fire was burned on the floor in the center of the house, with the smoke escaping only through windows and vents. With coal, this method could not suffice because the smoke was unacceptably black and sticky. It needed to be contained and the function of a chimney was to do just that.[13]

The oldest remaining building of

Sir Christopher Wren
, became an influential model for later United States church design.

Georgian architecture

Carpenters' Hall, Philadelphia, Pennsylvania

The

Mid-Atlantic
colonies: red brick, white painted wood, and blue slate used for the roof with a double slant. This style is used to build the houses for prosperous plantation owners in the country and wealthy merchants in town.

In religious architecture, the common design features were brick, stone-like stucco, and a single spire that tops the entrance. They can be seen in

New York, New York. The architects of this period were more influenced by the canons of Old World architecture. Peter Harrison (1716–1755) used his European techniques in designing the Redwood Library and Athenaeum (1748 and 1761), in Newport, Rhode Island and now the oldest community library still occupying its original building in the United States. Boston and Salem in the Massachusetts Bay Colony
were two primary cities where the Georgian style took hold, but in a simpler style than in England, adapted to the colonial limitations.

Architecture for a new nation

In 1776 the members of the Continental Congress issued the Declaration of Independence of the Thirteen Colonies. After the long and distressing American Revolutionary War, the 1783 Treaty of Paris recognized the existence of the new republic, the United States of America. Even though it was a firm break with the English politically, the Georgian influences continued to mark the buildings constructed. Public and commercial needs grew in parallel with the territorial extension. The buildings of these new federal and business institutions used the classic vocabulary of columns, domes and pediments, in reference to ancient Rome and Greece, which symbolize the democracy of the newfound nation. Architectural publications multiplied: in 1797, Asher Benjamin published The Country Builder's Assistant. Americans looked to affirm their independence in the domains of politics, economics, and culture with new civic architecture for government, religion, and education.

Federal architecture

Massachusetts State House, Boston, Massachusetts (1795–1798)

In the 1780s the Federal style of architecture began to diverge bit-by-bit from the Georgian style and became a uniquely American genre. At the time of the War of Independence, houses stretched out along a strictly rectangular plan, adopting curved lines and favoring decorative details such as garlands and urns. Certain openings were ellipsoidal in form, one or several pieces were oval or circular.

The Bostonian architect

Palladio as inspiration, he linked the buildings with a semi-circular column supported portico
.

The Federal style of architecture was popular along the Atlantic coast from 1780 to 1830. Characteristics of this style include neoclassical elements, bright interiors with large windows and white walls and ceilings, and a decorative yet restrained appearance that emphasized rational elements. Significant federal style architects at the time include: Asher Benjamin, Charles Bulfinch, Samuel McIntire, Alexander Parris, and William Thornton.

Thomas Jefferson

Virginia State Capitol
Jefferson's Rotunda of the University of Virginia was based on the Pantheon in Rome.

Federal style in his country by combining European Neoclassical architecture
and American democracy.

Thomas Jefferson also designed the buildings for his plantation

tetrastyle portico with Doric columns. This interest in Roman elements appealed in a political climate that looked to the ancient Roman Republic
as a model

New capital city

Early buildings of the U.S. Federal Government in Washington, D.C.
Study of the south facade of the White House, ca. 1817 (Note the presence of central stairs and the absence of the Truman Balcony.)
United States Capitol, Washington, D.C., rebuilt 1815–1830, as it appeared during the early 19th century (prior to expansions and reconstruction of the dome)

The United States Capitol in Washington, D.C., is an example of uniform urbanism: the design of the capitol building was imagined by the French Pierre Charles L'Enfant. This ideal of the monumental city and neoclassicism. Several cities wanted to apply this concept, which is part of the reason why Washington, D.C., did. The new nation's capital should have the best examples of architecture at the time.

The White House was constructed after the creation of Washington, D.C., by congressional law in December 1790. After a contest, James Hoban, an Irish American, was chosen and the construction began in October 1792. The building that he had conceived was modeled upon the first and second floors of the Leinster House, a ducal palace in Dublin, Ireland which is now the seat of the Irish Parliament. But during the War of 1812, a large part of the city was burned, and the White House was ravaged. Only the exterior walls remained standing, but it was reconstructed. The walls were painted white to hide the damage caused by the fire. At the beginning of the 20th century, two new wings were added to support the development of the government.

The

Thomas U. Walter. In 1863, the imposing Statue of Freedom, was placed on the top of the current (new at the time) dome
.

The Washington Monument is an Obelisk erected in honor of George Washington, the first American president. It was Robert Mills who had designed it originally in 1838. There is a perceivable color difference towards the bottom of the monument, which is because its construction was put on hiatus for lack of money. At 555.5 feet (169.3 m) high, it was completed in 1884 and opened to the public in 1888.

South

Nottoway Plantation House, an antebellum plantation house in Louisiana

Much architecture of the Deep South was developed in the context of the plantation economy. Plantation complexes in the Southern United States often featured European-derived styles for the slaveowners' houses, while housing for enslaved African Americans often drew upon vernacular building traditions.[17]

Anglophone plantation owners often favored the Greek Revival style, featuring a neoclassical pediment with columns, as at Belle Meade Plantation in Tennessee, with a symmetrical columned porch and narrow windows.[18] The domestic architecture in the South adapted the neoclassical model by supporting a mid-height balcony on the front without a pediment or entrance portico, such as at Oak Alley Plantation, in St. James Parish, Louisiana.[19] These houses adapted to the regional climate and into the economy of a plantation with enslaved labor for construction.

In regions that had experienced French and Spanish colonization, such as the Gulf Coast, buildings were often constructed in Creole architectural styles.[20]

Frontier vernacular

A sod house, 1901

The

Homestead Act of 1862 brought property ownership within reach for millions of citizens, displaced native peoples, and changed the character of settlement patterns across the Great Plains and Southwest. The law offered a modest farm free of charge to any adult male who cultivated the land for five years and built a residence on the property. This established a rural pattern of isolated farmsteads in the Midwest and West instead of the European and eastern U.S. states' villages and towns. Settlers built homes from local materials, such as rustic sod, semi-cut stone, mortared cobble, adobe bricks, and rough logs. They erected log cabins in forested areas and sod houses, such as the Sod House (Cleo Springs, Oklahoma), in treeless prairies. The present-day sustainable architecture method of Straw-bale construction was pioneered in late-19th-century Nebraska
with baling machines.

The Spanish and later Mexican Alta California Ranchos and early American pioneers used the readily available clay to make adobe bricks, and distant forests' tree trunks for beams sparingly. Locally made roof tiles were produced by the Mission Indians. As milled wood became more available in the mid-19th century the Monterey Colonial architecture style first developed in Monterey and then spread. The Leonis Adobe, Larkin House, and Rancho Petaluma Adobe are original examples.

Mid-19th century

Greek Revival

Greek revival style attracted American architects working in the first half of the 19th century. The young nation, free from Britannic protection, was persuaded to be the new Athens, that is to say, a foyer for democracy.

Benjamin Latrobe (1764–1820) and his students William Strickland (1788–1854) and Robert Mills
(1781–1855) obtained commissions to build some banks and churches in the big cities (Philadelphia, Baltimore and Washington, DC).

Some state capitol buildings adopted the Greek Revival style such as in

Columbus, designed by Henry Walters and completed in 1861. The simple façade, continuous cornice and the absence of a dome give the impression of the austerity and greatness of the building. It has a very symmetrical design and houses the Supreme Court and a library. A rare style also was adopted around this time, Egyptian Revival architecture
.

Italianate

Gothic Revival

From the 1840s on, the

stained glass
and severely sloped roofs. The buildings adopted a complex design that drew inspiration from symmetry and neoclassicism.

The great families of the east coast had immense estates and villas constructed in the style, with

stained glass windows
.

New York City is home to

Romanesque, Lombard
, and eclectic themes.

Skyscrapers
, notably in Chicago and in New York.

Gilded Age and late 1800s

Late Victorian architecture

The 1886 Carson Mansion in Eureka, California, is widely considered to have achieved the height of the Queen Anne Victorian style.

Following the American Civil War and through the turn of the 20th century, a number of related styles, trends, and movements emerged, are loosely and broadly categorized as "Victorian," due to their correspondence with similar movements of the time in the British Empire during the later reign of Queen Victoria. Many architects working during this period would cross various modes, depending on the commission. Key influential American architects of the period include Richard Morris Hunt, Frank Furness, and Henry Hobson Richardson.

After the war, the uniquely American

Stick Style developed as a form of construction that uses wooden rod trusswork, the origin of its name. The style was commonly used in houses, hotels, railway depots, and other structures primarily of wood. The buildings are topped by high roofs with steep slopes and prominent decoration of the gables. The exterior is not bare of decoration, even though the main objective remains comfort. Richard Morris Hunt constructed John N. Griswold's house in Newport, Rhode Island
in 1862 in this style. The "Stick Style" was progressively abandoned after c. 1873, gradually evolving into the Queen Anne Style.

On the west coast in

Queen Anne styles of Victorian architecture, c. 1850s–1900. Constructed with Redwood lumber they resisted the 1906 San Francisco earthquake itself, though some burned in the aftermath. They introduced the contemporary services of central heating and electricity. The Carson Mansion conceived of by Builder-Architects, Samuel and Joseph Cather Newsom and built by an army of over 100 craftsman from the massive lumber operations of its owner, is prominently situated at the head of Old Town Eureka, California on Humboldt Bay
. It is widely regarded as one of the highest executions of Queen Anne style in California and the United States.

The 1879 Newport Casino in Rhode Island is a fine example of the shingle style.

On the east coast the Queen Anne evolved into the

Shingle Style architecture. It is characterized by attention to a more relaxed rustic image. Richardson designed the William Watts Sherman House (1874–1875) in Newport, Rhode Island, and the Mary Fiske Stoughton House (1882–1883) in Cambridge, Massachusetts, and Charles Follen McKim the Newport Casino
(1879–1881) using shingle clad asymmetrical facades.

While medieval influence rode high, in the second half of the 19th century, architects also responded to commissions for estate scale residences with

Château de Blois
for it.

Rise of the skyscraper

St. Louis, Missouri
, built in 1891

The most notable United States architectural innovation has been the skyscraper. Several technical advances made this possible. In 1853,

Auditorium Building, Chicago in 1885 by Dankmar Adler and Louis Sullivan
. This adopted Italian palazzo design details to give the appearance of a structured whole: for several decades American skyscrapers would blend conservative decorative elements with technical innovation.

Soon skyscrapers encountered a new technological challenge. Load-bearing stone walls become impractical as a structure gains height, reaching a technical limit at about 20 stories (culminating in the 1891

William LeBaron Jenney solved the problem with a steel support frame in Chicago's 10-story Home Insurance Building, 1885. Arguably this is the first true skyscraper. The use of a thin curtain wall in place of a load-bearing wall reduced the building's overall weight by two thirds. Another feature that was to become familiar in 20th-century skyscrapers first appeared in Chicago's Reliance Building
, designed by Charles B. Atwood and E.C. Shankland, Chicago, 1890–1895. Because outer walls no longer bore the weight of a building it was possible to increase window size. This became the first skyscraper to have plate glass windows take up a majority of its outer surface area.

Some of the most graceful early towers were designed by Louis Sullivan (1856–1924), America's first great modern architect. His most talented student was Frank Lloyd Wright (1867–1959), who spent much of his career designing private residences with matching furniture and generous use of open space.

Beaux-Arts and the American Renaissance