User:Coldcreation

Alexander Archipenko

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  Alexander Archipenko, Portrait de Mme Kameneff, Folkwang Museum, Hagen. Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1910, Le baiser (The Kiss). Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1910-11, Negress (La Negresse), Armory Show catalogue photo
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  Alexander Archipenko, 1910-11, Venus
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  Alexander Archipenko, L'Héros (The Hero). Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1912, La Vie Familiale (Family Life). Exhibited at the 1912 Salon d'Automne, Paris and the 1913 Armory Show in New York, Chicago and Boston. (Photograph in La Comedie Artistique (1912) of the original sculpture (approx six feet tall), later accidentally destroyed)
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  Alexander Archipenko, 1912, Le Repos, Armory Show postcard, 1913
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  Alexander Archipenko, 1912, Dancers (Der Tanz), 24 in. original plaster. This first version of Dancers was illustrated on the front cover of "The Sketch", 29 October 1913, London
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  Alexander Archipenko, 1912, Femme Marchant (Woman Walking). Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1912. This work is closely related to Woman Walking and Standing Figure, both of 1912
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  Alexander Archipenko, 1912-13, Roter Tanz (Danse rouge, Blue Dancer)
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  Alexander Archipenko, 1912-13, Zwei Körper (Two Bodies)
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  Picabia
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  Alexander Archipenko, 1913, Pierrot-carrousel, painted plaster, 61 × 48.6 × 34 cm, Solomon R. Guggenheim Museum, New York. Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1913, Femme à l'Éventail (Woman with a Fan), 108 x 61.5 x 13.5 cm, Tel Aviv Museum of Art. Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1914, Danseuse du Médrano (Médrano II), Solomon R. Guggenheim Museum, New York. Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, 1916, Statuette
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  Alexander Archipenko, 1914, Flat Torso
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  Alexander Archipenko, 1919, Femmes-Vases (Women - Vases). Reproduced in Archipenko-Album, 1921
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  Alexander Archipenko, before 1920, Sculpto-peinture
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  Alexander Archipenko, c.1920, Femme assise (Composition), 31.1 x 23.2 cm, gouache on paper

Francis Picabia

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  Francis Picabia, c.1909, Caoutchouc, watercolor, gouache and India ink on cardboard, 45.7 x 61.5 cm, Centre Pompidou, Musée National d'Art Moderne, Paris
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  Francis Picabia, 1910-11, Horses, oil on canvas, 73.3 x 92.5 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Published in the New York Times, New York, 16 February 1913, Page 121
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  Francis Picabia, 1910-11, Paysage à Cassis (Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
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  Francis Picabia, 1910-11, Paysage à Cassis (Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
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  Francis Picabia, c.1912, Grimaldi après la pluie (After the rain), location unknown
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  Francis Picabia, c. 1912, L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]], Centre Pompidou reproduced in The Cubist Painters, Aesthetic Meditations, 1913
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  Francis Picabia, c. 1912, L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]], Centre Pompidou
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  Francis Picabia, 1912, Tarentelle, oil on canvas, 73.6 x 92.1 cm, Museum of Modern Art, New York. Reproduced in Du "Cubisme"
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  Francis Picabia, 1912, The Procession, Seville, oil on canvas, 121.9 x 121.9 cm, National Gallery of Art
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  Francis Picabia, 1912, La Source (The Spring), oil on canvas, 249.6 x 249.3 cm, Museum of Modern Art, New York. Exhibited at the 1912 Salon d'Automne, Paris
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  Francis Picabia, The Dance at the Spring (Danse à la source), 1912, oil on canvas, 120.5 x 120.6 cm, Philadelphia Museum of Art, Philadelphia. Exhibited at the 1913 Armory Show
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  Francis Picabia, 1913, Edtaonisl (Ecclesiastic), oil on canvas, 300.4 x 300.7 cm, Art Institute of Chicago
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  Francis Picabia, 1913, Catch as Catch Can, oil on canvas, 105.4 x 86.4 cm, Philadelphia Museum of Art
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  Centre Georges Pompidou

  , Paris
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  Francis Picabia, 1913-14, Force Comique, aquarelle et graphite sur papier, 63.4 x 52.7 cm, Berkshire Museum, MA
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  Francis Picabia, 1915, Fille née sans mère (Girl Born Without a Mother), work on paper, 47.4 x 31.7 cm, Musée d'Orsay
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  Francis Picabia, (Left) Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center) Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right) J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915
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  Francis Picabia, "Ici, c'est ici Stieglitz, foi et amour", cover of 291, No 1, 1915
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  Francis Picabia, 1915, Voilà Haviland (La poésie est comme lui), Portrait mécanomorphe de Paul B. Haviland
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  Francis Picabia, 1916-17, Prostitution Universelle (Universal Prostitution), black ink, tempera, metallic paint on cardboard, 74.5 x 94.2 cm, Yale University Art Gallery
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  Francis Picabia, Flamenca, 391, n. 3, March 1, 1917
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  Francis Picabia, Francis chante le Coq, 391, n. 14, November 1920
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  Francis Picabia, Ce numéro est entouré d'une dentelle rose. Page from 391, n. 13, July 1920
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  Francis Picabia, Lampe Illusion, 391, n. 3, March 1, 1917
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  Francis Picabia, Marie, Barcelone, 391, n. 3, March 1, 1917
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  Francis Picabia, Molèculaire, 391, No. 8, February 1919
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  Francis Picabia, Peigne, Miroir de l'Apparence, 391, n. 2, February 10, 1917
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  Francis Picabia, Phosphate, Littérature, No. 6, New Series, Paris, 1 November, 1922
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  Francis Picabia, Américaine, 391, n. 6, July 1917
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  Francis Picabia, Âne (English: Donkey), 391, July 1917
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  Francis Picabia, 1919, inside Danse de Saint-Guy, The Little Review, Picabia number, Autumn 1922
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  Francis Picabia, Dame!, Illustration for the cover of the periodical Dadaphone n. 7, Paris, March 1920
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  Francis Picabia, Réveil Matin (Alarm Clock), Dada 4-5, Number 5, 15 May 1919
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  Francis Picabia, 1919, Réveil Matin (Alarm Clock), ink on paper, 31.8 x 23 cm, Tate, London
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  Francis Picabia, Dada Movement, Dada, Number 5, 15 May 1919
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  Francis Picabia and F.M. Mansfield with 2 women and a man at outdoor café table in Cassis, France
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  Francis Picabia, 1920, Portrait of Cézanne, Portrait of Renoir, Portrait of Rembrandt, Toy monkey and oil on cardboard, dimensions and whereabouts unknown. Reproduced in Cannibale, Paris, n. 1, April 25, 1920
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  Francis Picabia, 1920, La Sainte Vierge (The Blessed Virgin), ink and graphite on paper, 33 x 24 cm, Musée National d'Art Moderne, Paris
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  Francis Picabia, 1921, L'oeil cacodylate, oil and collage on canvas, 148.6 x 117.4 cm, Musée National d'Art Moderne, Paris
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  Francis Picabia, c. 1921-22, Optophone I, encre, aquarelle et mine de plomb sur papier, 72 x 60 cm. Reproduced in Galeries Dalmau, Picabia, exhibition catalogue, Barcelona, November 18 - December 8, 1922
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  Francis Picabia, 1922, Aviation, ink, crayon, watercolor on paper, 79.9 x 54 cm,

  RISD Museum
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  Francis Picabia, Astrolabe, Galeries Dalmau exhibition catalogue, 1922
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  Francis Picabia, Thermomètre pour aveugles (Thermometer for the Blind), Galeries Dalmau exhibition catalogue 1922
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  Francis Picabia, 1922, Femme Espagnole (Espagnole à la cigarette), watercolor, gouache and pencil on paper, 72 x 51 cm, private collection

Robert Delaunay

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  Robert Delaunay, 1906, Paysage au disque, oil on canvas, 54 x 46 cm, Musée National d'Art Moderne
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  Robert Delaunay, 1906, Portrait de Metzinger, oil on canvas, 55 x 43 cm
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  Robert Delaunay, 1907, Portrait of Wilhelm Uhde. Robert Delaunay and Sonia Terk met through the German collector/dealer Wilhelm Uhde, with whom Sonia had been married as she said for "convenience"
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  Robert Delaunay, 1909, Autoportrait, Self-portrait, oil on canvas, 73 x 59.4 cm, MNAM, Centre Georges Pompidou, Paris
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  Robert Delaunay, 1910-11, La ville no. 2, oil on canvas, 146 x 114 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
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  Robert Delaunay, 1912, Windows Open Simultaneously (First Part, Third Motif), oil on canvas, 45.7 x 37.5 cm, Tate Modern
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  Robert Delaunay, 1912, Les Fenêtres simultanée sur la ville (Simultaneous Windows on the City), 46 x 40 cm, Kunsthalle Hamburg
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  Robert Delaunay, 1912-1913, Le Premier Disque, 134 cm (52.7 in), Private collection
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  Robert Delaunay, 1912, La Ville de Paris, oil on canvas, 267 × 406 cm, Musée National d'Art Moderne
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  Robert Delaunay, 1913, L'Équipe de Cardiff, oil on canvas, 326 × 208 cm,

  Musée d'Art Moderne de la Ville de Paris
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  Robert Delaunay, 1915, Nu à la toilette (Nu à la coiffeuse), oil on canvas, 140 × 142 cm, Musée d'Art Moderne de la Ville de Paris
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  Sonia Delaunay or Robert Delaunay (or both), 1922, published in Der Sturm, Volume 13, Number 3, 5 March 1922
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  Robert Delaunay, 1926, Tour Eiffel, oil on canvas, 169 × 86 cm, Musée d'Art Moderne de la Ville de Paris
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  Robert Delaunay, 1938, Rythme n°1, Decoration for the Salon des Tuileries, oil on canvas, Musée d'Art Moderne de la Ville de Paris
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  Sonia Delaunay, 1914, Prismes électriques, oil on canvas, 250 x 250 cm, Musée National d'Art Moderne, Centre Pompidou, Paris

Henri Le Fauconnier

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  Gemeentemuseum Den Haag
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  Gemeentemuseum Den Haag
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  Henri Le Fauconnier, 1912, Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears), oil on canvas, 241 x 307 cm, Rhode Island School of Design Museum. Exhibited at the 1912 Salon d'Automne, Paris

Henri Matisse

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  Henri Matisse, 1899, Still Life with Compote, Apples and Oranges (Compotier de pommes et oranges), oil on canvas, 46.4 x 55.6 cm, The Cone Collection, Baltimore Museum of Art
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  Henri Matisse, 1904, Nu (Carmelita), oil on canvas, 81.3 x 59 cm, Museum of Fine Arts, Boston
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  Henri Matisse, 1904, Pont Saint-Michel, Scott M. Black Collection
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  Henri Matisse, 1904, Luxe, Calme et Volupté, oil on canvas, 98.5 × 118.5 cm (37 x 46 in), Musée d'Orsay, Paris. Exhibited at the Salon des Indépendants, 1905
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  Henri Matisse, 1904, Luxe, Calme et Volupté, detail lower center
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  Henri Matisse, 1904, Luxe, Calme et Volupté, detail lower left
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  Henri Matisse, 1905,

  San Francisco Museum of Art
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  Henri Matisse, 1905-06, Le bonheur de vivre, oil on canvas, 175 x 241 cm, Barnes Foundation
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  Henri Matisse, 1905, Portrait of Madame Matisse (The green line), oil and tempera on canvas, 40.5 x 32.5, cm,

  Statens Museum for Kunst
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  Henri Matisse, 1906, Le Tapis rouge, Intérieur au tapis rouge, oil on canvas, 89 x 116 cm, Musée de Grenoble
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  Henri Matisse, 1906, Portrait de Marguerite (The Reader), Musée de Grenoble
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  Henri Matisse, 1906, Portrait de Marguerite, oil on canvas, 32 x 24 cm, Marion Smooke Collection
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  Henri Matisse, 1906, Self-Portrait in a Striped T-shirt
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  Henri Matisse, 1906-07, Nu couché, I (Reclining Nude, I), exhibited at Montross Gallery, New York, 1915
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  Henri Matisse, 1915, Nature morte aux fruits (Still life with Fruits), Staatliche Kunsthalle Karlsruhe
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  Henri Matisse, 1906-07, Portrait de Marguerite, oil on canvas, 65 x 54 cm, Musée Picasso, Paris
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  Henri Matisse, 1907, Blue Nude (Souvenir de Biskra), Nu bleu: Souvenir de Biskra, oil on canvas, 92.1 x 140.3 cm, Cone collection, Baltimore Museum of Art
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  Henri Matisse, 1907, Nature morte bleue (Blue Still Life), oil on canvas, 89.5 x 116.8 cm, The Barnes Foundation
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  Henri Matisse, 1907, La coiffure, oil on canvas, 116 x 89 cm, Staatsgalerie, Stuttgart
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  Henri Matisse, 1907, Les trois baigneuses (Three Bathers), oil on canvas, 60.3 x 73 cm,

  Minneapolis Institute of Arts
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  Henir Matisse, 1907-08, Bathers with a Turtle, oil on canvas, 181.6 x 221 cm, Saint Louis Art Museum
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  Statens Museum for Kunst, Copenhagen. Exhibited at the Armory Show

  , New York, 1913
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  Henri Matisse, 1908, Statuette and Vases on Oriental Carpet (Still Life in Red of Venice), oil on canvas, 89 x 105 cm, Pushkin Museum, Moscow
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  Henri Matisse, 1908, Seated Woman, oil on canvas, 80.5 x 52 cm, Hermitage Museum
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  Henri Matisse, 1909, Algerian Woman (L'Algérienne), oil on canvas, 81 x 65 cm,

  Centre Georges Pompidou

  , Paris
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  Henri Matisse, 1909, L'Espagnole (Spanish Woman with a Tambourine), oil on canvas, 92 x 73 cm, Pushkin Museum, Moscow
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  Henri Matisse and La Serpentine, fall 1909, Issy-les-Moulineaux, photograph by Edward Steichen
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  Henri Matisse, 1909, Nude with a White Scarf (Nu à l'écharpe blanche), oil on canvas, 116.5 x 89 cm,

  Statens Museum for Kunst

  , Copenhagen
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  Henri Matisse, 1909, Still Life with Dance, oil on canvas, 89.5 x 117.5 cm, Hermitage Museum, Saint Petersburg
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  Henri Matisse, 1910, Fruits and Bronze, oil on canvas, 90 x 118 cm, Pushkin Museum, Moscow
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  Henri Matisse, 1910-12, Les Capucines (Nasturtiums with The Dance II), oil on canvas, 193 x 114 cm, Pushkin Museum
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  Henri Matisse, 1911, Portrait de la famille du peintre (Painter's Family), oil on canvas, 143 x 194 cm, Hermitage Museum, St. Petersburg
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  Henri Matisse, 1911-12, La Fenêtre à Tanger (Paysage vu d'une fenêtre Landscape viewed from a window, Tangiers), oil on canvas, 115 x 80 cm, Pushkin Museum
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  Henri Matisse, 1912-13, Le café Maure (Arab Coffeehouse), oil on canvas, 176 x 210 cm, Hermitage Museum
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  Henri Matisse, 1913, Portrait of the Artist's Wife, oil on canvas, 146 x 97.7 cm, Hermitage Museum, Saint Petersburg
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  Henri Matisse, 1913, La glace sans tain (The Blue Window), oil on canvas, 130.8 x 90.5 cm, Museum of Modern Art, New York
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  Henri Matisse, 1914, Les poissons rouges (Interior with a Goldfish Bowl), oil on canvas, 147 x 97 cm,

  Centre Georges Pompidou

  , Paris
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  Henri Matisse, 1914, Le citron (Still Life with Lemons), oil on canvas, 70.2 x 53.8 cm, Rhode Island School of Design Museum
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  Henri Matisse, 1915-16, The Moroccans (Les Marocains), oil on canvas, 181.3 x 279.4 cm, Museum of Modern Art
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  Henri Matisse, 1916, La branche de lierre (Sculpture and Vase of Ivy), oil on canvas, 60 x 73 cm, Centre Georges Pompidou, extended loan to

  Musée de Besançon
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  Henri Matisse, 1916, Still Life with Gourds (Nature morte aux coloquintes), oil on canvas, 100 x 81.3 cm, Barnes Foundation
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  Henri Matisse, 1916, Studio, Quai Saint-Michel, oil on canvas, 147.9 x 116.8 cm, The Phillips Collection, Washington D.C.
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  Henri Matisse, 1916-17, Auguste Pellerin II, oil on canvas, 150.2 x 96.2 cm,

  Centre Georges Pompidou

  , Paris
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  Henri Matisse, 1916-17,

  Centre Georges Pompidou

  , Paris
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  Henri Matisse, 1916-17, Nu (Lorette allongée sur fond rouge, Sleeping Nude on a Red Background), oil on canvas, 95 x 196 cm, Private collection
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  Henri Matisse, 1917, Three Sisters and The Rose Marble Table (Les Trois sœurs à La Table de marbre rose), oil on canvas, 194.3 x 96.2 cm, Barnes Foundation, Philadelphia
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  Henri Matisse, 1917, Portrait de famille (The Music Lesson), oil on canvas, 245.1 x 210.8 cm, Barnes Foundation
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  Henri Matisse, 1917-18, Fleurs (Bouguet), oil on canvas, 139.7 x 102.2 cm, San Diego Museum of Art
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  Henri Matisse, 1918, La toque de gouro (The Ostrich-Feather Hat), oil on canvas, Wadsworth Atheneum, Hartford, CT
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  Henri Matisse, 1918, Portrait de George Besson, oil on panel, 14 x 8 cm,

  Musée de Besançon
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  Henri Matisse, 1918, Portrait du peintre (Autoportrait, Self-portrait), oil on canvas, 65 x 54 cm, Matisse Museum (Le Cateau)
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  Henri Matisse, 1918, Interieur au violon (Interior with a Violin), oil on canvas, 89 x 116 cm,

  Statens Museum for Kunst
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  Henri Matisse, 1920, Étretat (The Eel, Le Congre), oil on canvas, 90.2 x 71.1 cm, Columbus Museum of Art, Ohio
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  Henri Matisse, 1919-21, Woman with a Red Umbrella Seated in Profile (Interior), oil on canvas, 81 x 65 cm, private collection
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  Henri Matisse, 1920-21, Odalisque, oil on canvas, 61.4 x 74.4 cm,

  Stedelijk Museum

Sculptures by Matisse

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  Henri Matisse, 1900-1904, Le Serf (The Serf, Der Sklave), bronze
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  Henri Matisse, 1905, Sleep, wood, exhibition Blue Rose (Голубая Роза), 1907, location unknown
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  Henri Matisse, 1906-07, Nu couché, I (Reclining Nude, I), bronze, exhibited at Montross Gallery, New York, 1915
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  Henri Matisse, 1907, Awakening, plaster, exhibition Salon of the Golden Fleece (Салон Золотого Руна) 1908
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  Henri Matisse, 1908, Figure décorative, bronze

Pablo Picasso

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  Pablo Picasso, 1901, Old Woman (Woman with Gloves, Woman With Jewelry), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art
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  Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow
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  Pablo Picasso, 1901, Portrait de Mateu Fernández de Soto, oil on canvas, 61.3 x 46.5 cm, Bundesmuseen, Vienna
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  Pablo Picasso, 1901-02, Femme au café (Absinthe Drinker), oil on canvas, 73 x 54 cm, Hermitage Museum, Saint Petersburg, Russia
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  Pablo Picasso, 1901-02, Femme aux Bras Croisés, Woman with Folded Arms (Madchenbildnis), oil on canvas, 81 × 58 cm (32 × 23 in), private collection
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  Pablo Picasso, 1901-02, Le bock (Portrait de Jaime Sabartes), The Glass of Beer (Portrait of the Poet Sabartes), oil on canvas, 82 x 66 cm, Pushkin Museum, Moscow
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  Pablo Picasso, 1901-02, Le bock (Portrait de Jaime Sabartes), 82 x 66 cm, Pushkin Museum, Moscow
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  Pablo Picasso, 1901-02, Maternité (Motherhood), Private collection
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  Pablo Picasso, 1902, La buveuse assoupie (The Absinthe drinker), oil on panel, 80 x 62 cm,

  Kunstmuseum Bern
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  Pablo Picasso, 1902, Woman with Bangs, 61.3 x 51.4 cm, The Baltimore Museum of Art, Maryland
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  Pablo Picasso, 1902-03, Femme assise (Melancholy Woman), oil on canvas, 100 x 69.2 cm,

  Detroit Museum of Art

  , Michigan
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  Pablo Picasso, 1902-03, Femme accroupie, Crouching Woman (Woman Sitting, with Hood), oil on canvas, 90 x 71 cm, Staatsgalerie Stuttgart
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  Pablo Picasso, 1902-03, La soupe (The soup), oil on canvas, 38.5 x 46.0 cm, Art Gallery of Ontario, Toronto, Canada
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  Pablo Picasso, 1903, La Famille Soler, oil on canvas, 150 x 200 cm, Musée des Beaux-Arts de Liège
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  Pablo Picasso, 1903, Desemparats (Maternité, Mère et enfant au fichu, Motherhood), pastel on paper, 47.5 x 41 cm, Museu Picasso, Barcelona
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  Pablo Picasso, 1903, L'Étreinte, pastel
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  Pablo Picasso, 1904, Le repas frugal (The Frugal Repast), etching, Hammer Museum, University of California
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  Pablo Picasso, 1904, Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm, Art Institute of Chicago
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  Pablo Picasso, 1904-05, Les Baladins (Mother and Child, Acrobats), gouache on canvas, 90 x 71 cm Staatsgalerie, Stuttgart
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  Pablo Picasso, 1904-05, l'Acteur (The Actor), oil on canvas, 196.2 x 115.3 cm, Metropolitan Museum of Art
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  Pablo Picasso, 1905, Maternité (Mother and Child)
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  Pablo Picasso, 1905, Au Lapin Agile (At the Lapin Agile), oil on canvas, 99.1 x 100.3 cm, Metropolitan Museum of Art
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  Pablo Picasso, 1905, Lady with a Fan (Femme à l'éventail), oil on canvas, 100.3 x 81 cm, The National Gallery of Art, Washington, DC.
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  Pablo Picasso, 1905, Nus (Nudes), pencil on paper
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  Pablo Picasso, 1905, Acrobat's Family with a Monkey (Famille au Singe), collage, gouache, watercolor, pastel and india ink on cardboard, 104 x 75 cm, Göteborgs Konstmuseum, Goteburg
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  Pablo Picasso, 1905, Les Saltimbanques (The Acrobats)
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  Pablo Picasso, 1905, Acrobate à la Boule (Acrobat on a Ball), oil on canvas, 147 x 95 cm, The Pushkin Museum, Moscow
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  Pablo Picasso, 1905, Fillette nue au panier de fleurs (Le panier fleuri), oil on canvas, 155 x 66 cm, private collection, New York
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  Pablo Picasso, 1905, Arlequin (Harlequin's head), oil on panel, private collection
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  Pablo Picasso, 1905, Acrobate et jeune Arlequin (Acrobat and Young Harlequin), oil on canvas, 191.1 x 108.6 cm, The Barnes Foundation, Philadelphia
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  Pablo Picasso, 1905, La Belle Hollandaise, gouache on cardboard mounted on wood, 77.1 x 65.8 cm, Queensland Art Gallery, Brisbane
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  Pablo Picasso, 1905, Les Trois Hollandaises, peinture à la colle sur carton, 77 x 67 cm, Musée Picasso, Paris
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  Pablo Picasso, 1905-06, Les deux frères (The two brothers), oil on canvas, 141.4 x 97.1 cm, Kunstmuseum Basel
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  Pablo Picasso, 1906, La Mort d'Arlequin (Death of Harlequin), gouache and pencil on board, 68.5 x 96 cm, private collection
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  Pablo Picasso, 1906, Nu aux mains serrées, gouache on canvas, 96.5 x 75.6 cm, Art Gallery of Ontario
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  Pablo Picasso, 1906, Femme se coiffant (Woman Combing her Hair), crayon, charcoal on paper. Dimensions and whereabouts unknown
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  Pablo Picasso, 1906, Seated Male Nude (Homme nu assis), oil on canvas, 34.9 x 24.1 cm, Barnes Foundation
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  Pablo Picasso, 1907, Nu à la serviette, oil on canvas, 116 x 89 cm
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  Pablo Picasso, 1907, Femme nue, oil on canvas, 92 x 43 cm, Museo delle Culture, Milano
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  Pablo Picasso, 1907, Nu aux bras levés (Nude)
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  Pablo Picasso, 1907, Head of a Sleeping Woman (Study for Nude with Drapery), oil on canvas, 61.4 x 47.6 cm, The Museum of Modern Art, New York
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  Pablo Picasso, 1907, Les Demoiselles d'Avignon (detail, figure upper right)
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  Pablo Picasso, 1907, Les Demoiselles d'Avignon (detail, figure lower right)
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  Pablo Picasso, 1907-08, Vase of Flowers, oil on canvas, 92.1 x 73 cm, Museum of Modern Art
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  Pablo Picasso, 1907-08, Two Trees (Les Arbres), watercolor on paper, 47.9 x 62.7 cm, Philadelphia Museum of Art
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  Pablo Picasso, 1908, Woman's Head (Tête de femme), oil on canvas, 73.6 x 60.6 cm, Museum of Modern Art
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  Pablo Picasso, 1908, Bols et flacons (Pitcher and Bowls), oil on canvas, 66 x 50.5 cm, Hermitage Museum, Saint Petersburg
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  Pablo Picasso, 1908, Seated Woman, oil on canvas, 150 x 99 cm, Hermitage Museum, Saint Petersburg
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  Pablo Picasso, 1908, L'amitié (Friendship, Two Nudes), oil on canvas, 151.3 x 101.8 cm, Hermitage Museum
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  Pablo Picasso, 1908, Dryad, oil on canvas, 185 x 108 cm, The State Hermitage Museum, St Petersburg
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  Pablo Picasso, 1908, Trois femmes (Three Women), oil on canvas, 200 x 185 cm, Hermitage Museum, Saint Petersburg
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  Pablo Picasso, 1908, Paysage aux deux figures (Landscape with Two Figures), oil on canvas, 60 x 73 cm, Musée Picasso, Paris
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  Pablo Picasso, 1908-09, Poissons et bouteilles, oil on canvas, 73.5 x 60 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
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  Pablo Picasso, 1909, Man with Arms Crossed, watercolor, gouache and charcoal on paper pasted on cardboard, 65.2 x 49.2 cm, Hermitage Museum, St. Petersburg
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  Pablo Picasso, 1909, Two Nude Figures (Deux figures nues), steel-faced drypoint on Arches laid paper, 13 x 11 cm, printed by Delâtre, Paris, published by Daniel-Henry Kahnweiler
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  Pablo Picasso, 1909, Nature morte à la brioche
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  Pablo Picasso, 1909, Brick Factory at Tortosa (L'Usine, Horta de Ebro), oil on canvas, 50.7 x 60.2 cm, The State Hermitage Museum, Saint Petersburg
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  Pablo Picasso, 1909, Maisons à Horta (Houses on the Hill, Horta de Ebro), oil on canvas, 65 x 81 cm, Berggruen Museum
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  Pablo Picasso, 1909, The Oil Mill (Moulin à huile), oil on canvas, 38.1 x 45.7 cm (15 x 18 in), Metropolitan Museum of Art
• 
  Pablo Picasso, 1909, Still Life, Casket, Cup, Apples and Glass,

  Bologna Gallery of Modern Art
• 
  Pablo Picasso, 1909, Nature morte au compotier (Still Life with Fruit Dish), drypoint
• 
  Pablo Picasso, 1909, Harlequin (L'Arlequin)
• 
  Pablo Picasso, 1909, Femme à l'éventail (Woman with a Fan), oil on canvas, 101 x 81 cm, Pushkin Museum, Moscow
• 
  Pablo Picasso, 1909, Buste de femme (Femme en vert, Femme assise), oil on canvas, 100.3 x 81.3 cm, Van Abbemuseum, Netherlands. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
• 
  Pablo Picasso, 1909, Head of a Woman (Tête de femme), oil on canvas, 60.3 x 51.1 cm, The Art Institute of Chicago
• 
  Pablo Picasso, 1909, Head of a Woman, gouache on paper, 62.2 x 48 cm, Museum of Modern Art
• 
  Pablo Picasso, 1909, Femme assise (Sitzende Frau), oil on canvas, 100 x 80 cm,

  Staatliche Museen, Neue Nationalgalerie

  , Berlin
• 
  Pablo Picasso, 1909, Woman with a Mandolin (Femme à la mandoline), oil on canvas, 92 x 73 cm, Hermitage Museum
• 
  Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast (right side). Dimensions unconfirmed: 40.5 x 23 x 26 cm
• 
  Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast. Dimensions unconfirmed: 40.5 x 23 x 26 cm
• 
  Pablo Picasso, 1909-10, Le Bock, oil on canvas, 81 x 65.5, Lille Métropole Museum of Modern, Contemporary and Outsider Art
• 
  Pablo Picasso, 1909-10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm, Tate Modern, London. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
• 
  Gemeentemuseum Den Haag

  . Exhibited at the Armory Show, New York, Chicago, Boston 1913
• 
  Pablo Picasso, c.1910, Studentin, photo Kahnweiler, Paris
• 
  Pablo Picasso, 1910,

  Portrait of Daniel-Henry Kahnweiler, oil on canvas, 100.4 × 72.4 cm, Art Institute of Chicago
• 
  Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 x 73.6 cm, Museum of Modern Art, New York
• 
  Pablo Picasso, 1910, Portrait of Wilhelm Uhde, oil on canvas, 81 x 60 cm, Joseph Pulitzer Collection
• 
  Pablo Picasso, 1910-11, Guitariste, La mandoliniste (Woman playing guitar or mandolin), oil on canvas
• 
  Pablo Picasso, 1911, La Femme au Violon, oil on canvas, private collection, on long-term loan to Bavarian State Painting Collections, Pinakothek der Moderne, Munich
• 
  Pablo Picasso, 1911, Woman with a Guitar by the Piano, oil on canvas
• 
  Pablo Picasso, c.1911, Le Guitariste. Reproduced in Du "Cubisme"
• 
  Pablo Picasso, 1911, Still Life with a Bottle of Rum, oil on canvas, 61.3 x 50.5 cm, Metropolitan Museum of Art, New York
• 
  Pablo Picasso, 1911, Mandolin and Glass of Pernod, oil on canvas,

  National Gallery, Prague
• 
  Pablo Picasso, 1911, The Poet (Le poète), oil on linen, 131.2 × 89.5 cm (51 5/8 × 35 1/4 in), The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
• 
  Pablo Picasso, 1911, Clarinet (Still Life with a Clarinet on a Table), oil on canvas, exhibited at Centre for Modern and Contemporary Art (Veletržní Palác), Prague
• 
  Pablo Picasso, 1911-12, L'Homme à la clarinette (Man with a Clarinet), oil on canvas, 106 x 69 cm,

  Museo Thyssen-Bornemisza

  , Madrid
• 
  Pablo Picasso, 1911-12, L'homme à la mandoline (The Mandolin Player), oil on canvas, 100.5 x 69.5 cm, Beyeler Foundation, Riehen, Switzerland
• 
  Pablo Picasso, 1911-12, L'Arlesienne, oil on canvas, 71.3 x 54 cm, private collection
• 
  Pablo Picasso, 1911-12, Buffalo Bill, oil on canvas, 46 x 33 cm
• 
  Pablo Picasso, 1911-12, Violon (Violin), oil on canvas, 100 x 73 cm (oval), Kröller-Müller Museum, Otterlo, Netherlands. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
• 
  Pablo Picasso, 1912, Le Verre d'Absinthe (Absinthe and Cards, Verre de Pernod et cartes), oil on canvas, 35 x 27 cm,

  National Gallery, Prague
• 
  Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm,

  National Gallery in Prague

  , Czech Republic
• 
  Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm,

  National Gallery in Prague

  , Czech Republic
• 
  Pablo Picasso, 1912, Nature morte Espagnole (Sol y sombra), or Spanish Still Life (Sun and Shadow), Bodegon espanol (sol y sombra), oil and enamel on canvas, 46 x 63 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
• 
  Pablo Picasso, 1912, Le violon (Jolie Eva), oil on canvas, 60 x 81 cm, Staatsgalerie Stuttgart
• 
  Pablo Picasso, 1912-14, La bouteille de Bass (The Bass Bottle), oil on canvas, 107.5 x 65.5 cm, Museo del Novecento, Milan
• 
  Pablo Picasso, 1912, Le poète (The Poet), oil on canvas, 59.9 x 47.8 cm, Kunstmuseum Basel
• 
  Pablo Picasso, 1912, Violin and Grapes, oil on canvas, 61 x 50.8 cm, Museum of Modern Art, New York
• 
  Pablo Picasso, 1912, Les oiseaux morts (Los pájaros muertos), oil on canvas, 46 x 65 cm, Museo Nacional Centro de Arte Reina Sofía
• 
  Pablo Picasso, 1912-13, Guitare (Guitar), oil and charcoal on canvas, oval, 72.4 x 60 cm,

  National Museum of Art, Architecture and Design

  , Oslo
• 
  Pablo Picasso, 1913, Violin Hanging on the Wall, oil, spackle with sand, enamel, and charcoal on canvas, 65 x 46 cm,

  Museum of Fine Arts Berne
• 
  Pablo Picasso, 1913, L'Arlequin, Céret (Harlequin), oil on canvas, 120.1 x 77.9 cm,

  Gemeentemuseum Den Haag
• 
  Pablo Picasso, 1913-14, Student with a Newspaper, plaster, oil, Conté crayon, and sand on canvas, 73 x 59.7 cm, Metropolitan Museum of Art
• 
  Pablo Picasso, 1913-14, Le guéridon (Nature morte, Guitares), oil on canvas, 130.2 x 89.1 cm, Kunstmuseum Basel
• 
  Pablo Picasso, 1913-14, Femme assise dans un fauteuil (Eva), Woman in an Armchair, oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection
• 
  Pablo Picasso, 1913-14, Woman in a Chemise in an Armchair, Femme en chemise assise dans un fauteuil (Eva), oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Metropolitan Museum of Art
• 
  Pablo Picasso, 1913, Bouteille, clarinette, violon, journal, verre, 55 x 45 cm. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
• 
  Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass),mixed media, 64.8 x 49.5 cm, Philadelphia Museum of Art
• 
  Pablo Picasso, 1913-14, Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm, Scottish National Gallery of Modern Art, Edinburgh
• 
  Pablo Picasso, 1913-14, L'Homme aux cartes (Card Player), oil on canvas, 108 x 89.5 cm, Museum of Modern Art, New York
• 
  Pablo Picasso, 1913-14,

  Ma Jolie, Nature Morte (Musique), oil on canvas, 53.7 × 65.1 cm. Indianapolis Museum of Art
• 
  Pablo Picasso, 1914, Ma Jolie (Pipe, verre, as de trèfle, bouteille de Bass, guitare, dé), oil on canvas, 45 x 41 cm, private collection
• 
  Pablo Picasso, 1914, Pipe, Glass, Bottle of Rum, 40 x 52.7 cm, Museum of Modern Art
• 
  Pablo Picasso, 1914, Instruments de musique et tête de mort, oil on canvas, 43.8 x 61.8 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
• 
  Pablo Picasso, spring 1914, Pipe, Glass, Bottle of Vieux Marc (Pipe, verre, bouteille de Vieux Marc), mixed media, 73.2 x 59.4 cm, Peggy Guggenheim Collection, Venice
• 
  Pablo Picasso, 1914, Composition à la guitare (lithograph, 47,5 x 36 cm, numbered HC I LX)
• 
  Pablo Picasso, 1914-15, Nature morte au compotier (Still Life with Compote and Glass), oil on canvas, 63.5 x 78.7 cm (25 x 31 in), Columbus Museum of Art, Ohio
• 
  Pablo Picasso, 1915, Musical Instruments (Instruments de musique), watercolor and charcoal on laid paper, 19.4 x 23.2 cm, Barnes Foundation
• 
  Pablo Picasso, 1916, Still-life with Door, Guitar and Bottles, oil on canvas, 152.4 × 205.7 cm,

  Statens Museum for Kunst

  , Copenhagen
• 
  Pablo Picasso, 1916, L'anis del mono (Bottle of Anis del Mono), oil on canvas, 46 x 54.6 cm, Detroit Institute of Arts, Michigan
• 
  Pablo Picasso, reproduced in L'Elan, Number 10, 1 December 1916
• 
  Pablo Picasso, Femme assise dans un fauteuil (Woman sitting in an armchair), reproduced in L'Elan, Number 9, 12 February 1916
• 
  Pablo Picasso, 1916, Guitare, clarinette et bouteille sur une table (Guitar, Clarinet, and Bottle on a Pedestal Table), dimensions and whereabouts unknown
• 
  Pablo Picasso, 1916, Nature morte (Still-life), published in André Salmon, L'Art Vivant, 1920
• 
  Costume design by

  Serge Diaghilev's Ballets Russes performance of Parade

  at Théâtre du Châtelet, Paris 18 May 1917
• 
  Costume design by Pablo Picasso for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet in Paris 18 May, 1917
• 
  Pablo Picasso, 1917, Harlequin (Arlequín), oil on canvas, 116 x 90 cm, Museo Picasso, Barcelona
• 
  Pablo Picasso, 1918, Portrait d'Olga dans un fauteuil (Olga in an Armchair), oil on canvas, 130 x 88.8 cm, Musée Picasso, Paris
• 
  Pablo Picasso, 1918, Portrait de Madame Rosenberg et sa fille, 130 x 95 cm, Musée Picasso, Paris
• 
  Pablo Picasso, 1918, Arlequin (Harlequin)
• 
  Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, Cleveland Museum of Art, Ohio
• 
  Pablo Picasso, 1918, Pierrot, oil on canvas, 92.7 x 73 cm, Museum of Modern Art
• 
  Pablo Picasso, published in Klingen, Volume 1, Number 10, June 1918
• 
  Pablo Picasso, 1918, Arlequin jouant de la guitare (Harlequin)
• 
  Pablo Picasso, 1918, Still Life, oil on canvas, 97.2 x 130.2 cm, National Gallery of Art
• 
  Pablo Picasso, 1919, La table devant la fenêtre (The Table in front of the Window), oil on canvas
• 
  Pablo Picasso, 1919, Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm, Museum of Modern Art, New York
• 
  Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm,

  Bridgestone Museum of Art

  , Tokyo
• 
  Pablo Picasso, c.1919, Nature morte au pichet et aux pommes (still-life with a pitcher and apples), work on paper, dimensions and whereabouts unknown
• 
  Pablo Picasso, c.1919, Ballerinas (Three Dancers), work on paper (slightly cropped), dimensions and whereabouts unknown
• 
  Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 x 188.3 cm, Philadelphia Museum of Art
• 
  Pablo Picasso, 1921-22, Les baigneurs (The Bathers)
• 
  Pablo Picasso, 1922, Quatre baigneuses (Four Bathers), egg tempera on vellum, mounted on wood panel, 10.16 x 15.24 cm (4 x 6 in), Collection Paul Allen
• 
  Pablo Picasso, 1921, Nu assis s'essuyant le pied (Seated Nude Drying her Foot), pastel, 66 x 50.8 cm, Berggruen Museum
• 
  Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York

Georges Braque

• 
  Musée d'Art Moderne de la Ville de Paris

  , May 2010
• 
  Georges Braque, 1908, Plate and Fruit Dish, oil on canvas, 46 x 55 cm, private collection
• 
  Georges Braque, 1908, Cinq bananes et deux poires (Five Bananas and Two Pears), oil on canvas, 24 x 33 cm, Musée National d'Art Moderne
• 
  Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
• 
  Georges Braque, 1908, Maisons à l'Estaque (Houses at l'Estaque), oil on canvas, 73 x 59.5 cm, Kunstmuseum Bern
• 
  Minneapolis Institute of Arts
• 
  Georges Braque, 1908, Le Viaduc de L'Estaque (Viaduct at L'Estaque), oil on canvas, 73 x 60 cm, Tel Aviv Museum of Art
• 
  Georges Braque, 1908, Baigneuse (Le Grand Nu, Large Nude), oil on canvas, 140 × 100 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
• 
  Georges Braque, 1908-09, Fruit Dish, oil on canvas, 54 x 65 cm, Moderna Museet, Stockholm
• 
  Georges Braque, 1909, La Roche-Guyon, le château (The Castle at Roche-Guyon), oil on canvas, 80 x 59.5 cm, Moderna Museet, Stockholm
• 
  Georges Braque, 1909, Port en Normandie (Little Harbor in Normandy), 81.1 x 80.5 cm (32 x 31.7 in), The Art Institute of Chicago
• 
  Georges Braque, late 1909, Still Life with Metronome (Still Life with Mandola and Metronome), oil on canvas, 81 x 54.1 cm, Metropolitan Museum of Art. Gift from the Leonard A. Lauder Cubist Collection
• 
  Georges Braque, 1909 (September), Violin and Palette (Violon et palette, Dans l'atelier), oil on canvas, 91.7 x 42.8 cm, Solomon R. Guggenheim Museum
• 
  Georges Braque, 1909-10, La guitare (Mandora, La Mandore), oil on canvas, 71.1 x 55.9 cm, Tate Modern, London
• 
  Georges Braque, 1909-10, Pitcher and Violin, oil on canvas, 116.8 x 73.2 cm, Kunstmuseum Basel
• 
  Georges Braque, 1910, Violin and Candlestick, oil on canvas, 60.96 x 50.17 cm, San Francisco Museum of Modern Art
• 
  Georges Braque, 1910, Femme tenant une Mandoline, 92 x 73 cm, Bavarian State Painting Collections, Munich
• 
  Georges Braque, 1910, Violon, verre et couteau (Still Life with Violin, Glass and Knife), oil on canvas, 51 × 67 cm, oval,

  National Gallery in Prague
• 
  Georges Braque, 1910, Portrait of a Woman, Female Figure (Torso Ženy), oil on canvas, 91 x 61 cm, private collection
• 
  Georges Braque, 1911, La Tasse (The Cup), oil on canvas, 24.1 x 33 cm (9.5 x 13 in)
• 
  Georges Braque, 1911, Nature morte (Still Life), Reproduced in Du "Cubisme", 1912
• 
  Georges Pompidou Center

  , Paris
• 
  Georges Braque, 1911-12, Girl with a Cross, oil on canvas, 55 x 43 cm, Kimbell Art Museum, Fort Worth, Texas
• 
  Georges Braque, 1911-12, Man with a Guitar (Figure, L’homme à la guitare), oil on canvas, 116.2 x 80.9 cm, Museum of Modern Art, New York. From the collection of Wilhelm Uhde, confiscated by the French state and sold at the Hôtel Drouot in 1921
• 
  Georges Braque, 1912, Violin: Mozart Kubelick, oil on canvas, 45.7 x 61 cm, Metropolitan Museum of Art
• 
  Georges Braque, 1913, Glass and Card, oil on canvas, oval, 26.7 x 34.9 cm, private collection
• 
  Georges Braque, 1913, Femme à la guitare (Woman with Guitar), oil and charcoal on canvas, 130 × 73 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
• 
  Centre Georges Pompidou, Paris. From the collection of Wilhelm Uhde, confiscated by the French state and sold at the Hôtel Drouot

  in 1921
• 
  Georges Braque, 1913-14, Still Life on a Table (Duo pour Flute), oil on canvas, 45.7 × 55.2 cm, Lauder Cubist Collection, Metropolitan Museum of Art, New York
• 
  Georges Braque, 1914, Violin and Glass (Violon et verre), oil, charcoal and pasted paper on canvas, oval, 116 x 81 cm, Kunstmuseum Basel
• 
  Centre Georges Pompidou

  , Paris
• 
  Georges Braque, 1917, Guitare et verre (Guitar and Glass), oil on canvas, 60.1 x 91.5 cm, Kröller-Müller Museum, Otterlo
• 
  Georges Braque, 1917, La Joueuse de mandoline, oil on canvas, 92 × 65 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
• 
  Georges Braque, 1918, Rhum et guitare (Rum and Guitar), oil on canvas, 60 x 73 cm, Colección Abelló, Madrid

Marcel Duchamp

• 
  Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913
• 
  Marcel Duchamp, 1910, Joueur d'échecs (The Chess Game), oil on canvas, 114 x 146.5 cm, Philadelphia Museum of Art
• 
  Marcel Duchamp, 1911, Coffee Mill (Moulin à café), oil and graphite on board, 33 x 12.7 cm, Tate, London. Reproduced in Du "Cubisme"
• 
  Marcel Duchamp, 1911, La sonate (Sonata), oil on canvas, 145.1 x 113.3 cm, Philadelphia Museum of Art
• 
  Marcel Duchamp, 1912, Nude Descending a Staircase, No. 2, oil on canvas, 147 cm × 89.2 cm, Philadelphia Museum of Art
• 
  Marcel Duchamp, Nude Descending a Staircase, No. 2, in the Frederick C. Torrey home, c. 1913
• 
  Marcel Duchamp, 1911-1912, Nude (Study), Sad Young Man on a Train (Nu, esquisse, jeune homme triste dans un train), oil on cardboard mounted on Masonite, 100 x 73 cm (39 3/8 × 28 3/4 in), Peggy Guggenheim Collection, Venice
• 
  Marcel Duchamp, 1912, Le Roi et la Reine entourés de Nus vites (The King and Queen Surrounded by Swift Nudes), oil on canvas, 114.6 x 128.9 cm, Philadelphia Museum of Art
• 
  Marcel Duchamp, 1918, A regarder d'un oeil, de près, pendant presque une heure, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour. Photograph by Man Ray, published in 391, July 1920 (N13), Museum of Modern Art, New York

Raymond Duchamp-Villon

• 
  Raymond Duchamp-Villon, 1910-11, Torse de jeune homme (Torso of a young man), terracotta, 60.4 cm (23 3/4 in), Armory Show postcard, published 1913. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
• 
  Raymond Duchamp-Villon, 1911, Baudelaire
• 
  Raymond Duchamp-Villon, 1914, Femme assise, plaster, 65.5 cm (25.75 in), photograph by Duchamp-Villon
• 
  Raymond Duchamp-Villon, 1911, Vasque décorative (detail)
• 
  Raymond Duchamp-Villon, 1912, Croquis pour le Soleil
• 
  Raymond Duchamp-Villon, 1912, Study for La Maison Cubiste, Projet d'Hotel (Cubist House)
• 
  Le Salon Bourgeois, designed by

  Femme à l'Éventail

  is hanging on the wall to the left
• 
  Raymond Duchamp-Villon, 1912, Study for La Maison Cubiste, Projet d'Hotel (Cubist House). Image published in Les Peintres Cubistes, by Guillaume Apollinaire, 17 March 1913. Larger version exhibited at the Armory Show, New York, 1913
• 
  Raymond Duchamp-Villon, 1912, Maquette originale de La Maison Cubiste (Cubist House, Façade architecturale), Document du Musée National d'Art Moderne, Paris
• 
  Raymond Duchamp-Villon, 1912, La Maison Cubiste (Cubist House) at the Salon d'Automne, 1912, detail of the entrance. Photograph by Duchamp-Villon

Fernand Léger

• 
  Fernand Léger, 1910, Nudes in the forest (Nus dans la forêt), oil on canvas, 120 x 170 cm, Kröller-Müller Museum
• 
  Fernand Léger, 1911, Les Toits de Paris (Roofs in Paris, oil on canvas, private collection. Reproduced in Du "Cubisme", 1912
• 
  Minneapolis Institute of Arts. Reproduced in Du "Cubisme"

  , 1912
• 
  Fernand Léger, 1911, Étude pour trois portraits (Study for Three Portraits), oil on canvas, 194.9 × 116.5 cm, Milwaukee Art Museum
• 
  Fernand Léger, 1911-12, Les Fumeurs (The Smokers), oil on canvas, 129.2 x 96.5 cm, Solomon R. Guggenheim Museum, New York
• 
  Fernand Léger, 1912, Les Fumées, reproduced in Les Peintres Cubistes, 1913 (image from the 1913 publication)
• 
  Fernand Léger, La Femme en Bleu (Woman in Blue), 1912, oil on canvas, 193 x 129.9 cm (76 x 51 1/8 in.), Kunstmuseum Basel. Exhibited at the 1912 Salon d'Automne, Paris
• 
  Fernand Léger, 1912, Composition (Study for Nude Model in the Studio), Metropolitan Museum of Art
• 
  Fernand Léger, 1912-13, Nude Model in the Studio (Le modèle nu dans l'atelier), oil on burlap, 128.6 x 95.9 cm, Solomon R. Guggenheim Museum, New York
• 
  Fernand Léger, 1912-13, Paysage (Landscape), oil on canvas, 92 x 81 cm
• 
  Fernand Léger, 1913, Contrast of Forms (Contraste de formes), published in Der Sturm, 5 September 1920
• 
  Fernand Léger, 1914, Nature morte (Still life)
• 
  Albright-Knox Art Gallery
• 
  Fernand Léger, 1914, Le Fumeur (The Smoker), 1914, oil on canvas, 100.3 x 81.3 cm, Metropolitan Museum of Art
• 
  Fernand Léger, 1918, Dans L'Usine, oil on canvas, 56 x 38 cm (22 x 15 in), On the reverse: titled, dated and signed; Esquisse dans l'usine 11-18, F.
• 
  Fernand Léger, 1919, The City (La Ville), oil on canvas, 231.1 x 298.4 cm, Philadelphia Museum of Art
• 
  Fernand Léger, 1919, Le disque rouge, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue page)
• 
  Fernand Léger, 1922, La femme et l'enfant (Mother and Child), oil on canvas, 171.2 x 240.9 cm, Kunstmuseum Basel

Gino Severini

• 
  Gino Severini, 1905, La Bohémienne, pastel sur papier marouflée sur toile, Museo dell'Accademia Etrusca e della città di Cortona
• 
  Gino Severini, 1910-11, La Modiste (The Milliner), oil on canvas, 64.8 x 48.3 cm, Philadelphia Museum of Art
• 
  Gino Severini, 1911, Souvenirs de Voyage (Memories of a Journey, Ricordi di viaggio), oil on canvas, 47 x 75 cm, private collection
• 
  Gino Severini, 1911, La danseuse obsedante (The Haunting Dancer, Ruhelose Tanzerin), oil on canvas, 73.5 x 54 cm, private collection
• 
  Gino Severini, 1911, Le Boulevard, oil on canvas, 63.5 x 91.5 cm,

  Estorick Collection

  , London
• 
  Gino Severini, 1911, The Pan Pan Dance, original version. This 1911 version was destroyed. Gino Severini made a new version in 1959-60, now at Musée National d'Art Moderne, Paris
• 
  Gino Severini, 1911, The Pan Pan Dance, Armory Show press clipping, March 1913. Original 1911 version, destroyed
• 
  Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.), Museum of Modern Art, New York
• 
  Gino Severini, 1912, Dynamism of a Dancer (Dinamismo di una danzatrice, Ballerina di chahut), oil on canvas, 60 x 45 cm, Jucker Collection, Pinacoteca di Brera, Milan
• 
  Gino Severini, 1912, Dancer at Pigalle, oil and sequins on sculpted gesso on artist's canvasboard, 69.2 x 49.8 cm, Baltimore Museum of Art
• 
  Gino Severini, 1913, La danse de l'ours au Moulin Rouge, oil on canvas, 100 x 73.5 cm, Musée National d'Art Moderne, Paris
• 
  Gino Severini, 1913, Tango Argentino, work on paper (published in Der Sturm, Volume 4, Number 192-193, 1 January 1914)
• 
  Gino Severini, c.1915-16, dimensions and whereabouts unknown, photo Léonce Rosenberg, published in Action: Cahiers Individualistes de Philosophie et d’art, Volume 1, Number 2, March 1920
• 
  Gino Severini, 1919, Nature Morte (still life)
• 
  Gino Severini, 1919, Nature morte à la guitare. Private collection
• 
  Gino Severini, 1919, Bohémien Jouant de L'Accordéon (The Accordion Player), Museo del Novecento, Milan
• 
  Gino Severini, 1920, Maternité
• 
  Gino Severini, January 1920, Nature morte

Constantin Brâncuși

• 
  Le baiser (The Kiss), Exhibited at the Armory Show

  and published in the Chicago Tribune, 25 March 1913
• 
  Constantin Brâncuși, 1909, Portrait De Femme (La Baronne Renée Frachon), now lost. Armory Show, published press clipping, 1913
• 
  Constantin Brâncuși, Portrait of Mademoiselle Pogany, 1912, White marble, limestone block, Philadelphia Museum of Art, Philadelphia. Exhibited at the 1913 Armory Show.
• 
  Constantin Brâncuși, 1912, Portrait of Mlle Pogany, Philadelphia Museum of Art, Philadelphia. Armory Show postcard
• 
  Constantin Brâncuși, 1912, Une Muse, plaster, 45.7 cm (18 in.) Armory Show postcard. Exhibited: New York, Armory of the 69th Infantry (no. 618); The Art Institute of Chicago (no. 26) and Boston, Copley Hall (no. 8), International Exhibition of Modern Art, February-May 1913

Marc Chagall

• 
  Marc Chagall, 1911, To My Betrothed, gouache, watercolor, metallic paint, charcoal, and ink on paper, mounted on cardboard, 61 x 44.5 cm, Philadelphia Museum of Art
• 
  Marc Chagall, 1911, A la Russie, aux ânes et aux autres (To Russia, Asses and Others), oil on canvas, 157 x 122 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
• 
  Marc Chagall, 1911, Trois heures et demie (Le poète), Half-Past Three (The Poet) Halb vier Uhr, oil on canvas, 195.9 x 144.8 cm, The Louise and Walter Arensberg Collection, 1950, Philadelphia Museum of Art
• 
  Marc Chagall, 1911, I and the Village, oil on canvas, 192.1 x 151.4 cm, Museum of Modern Art, New York
• 
  Marc Chagall, 1911-12, Hommage à Apollinaire, or Adam et Ève (study), gouache, watercolor, ink wash, pen and ink and collage on paper, 21 x 17.5 cm
• 
  Marc Chagall, 1911-12, The Drunkard (Le saoul), 1912, oil on canvas. 85 x 115 cm. Private collection
• 
  Marc Chagall, 1911-12, Le saint voiturier (The Holy Coachman), oil on canvas, 148 x 117.5 cm, private collection
• 
  Marc Chagall, 1912, Le Marchand de bestiaux (The Drover, The Cattle Dealer), oil on canvas, 97.1 x 202.5 cm, Kunstmuseum Basel
• 
  Marc Chagall, 1912, Still-life (Nature morte), oil on canvas, private collection
• 
  Marc Chagall, 1912, Calvary (Golgotha), oil on canvas, 174.6 x 192.4 cm, Museum of Modern Art, New York. Exhibited: Galerie Der Sturm (Herwarth Walden), Erster Deutscher Herbstsalon, Berlin, 1913
• 
  Marc Chagall, 1913, Paris par la fenêtre (Paris Through the Window), oil on canvas, 136 x 141.9 cm, Solomon R. Guggenheim Museum, New York
• 
  Marc Chagall, 1913, La femme enceinte (Maternité), oil on canvas, 193 x 116 cm,

  Stedelijk Museum

  , Amsterdam

Jacques Lipchitz

• 
  Jacques Lipchitz, 1914, Acrobat on Horseback (Acrobate à cheval)
• 
  Jacques Lipchitz, 1917, L'homme à la mandoline, 80 cm, possibly the version at Musée National d'Art Moderne, Centre Georges Pompidou
• 
  Jacques Lipchitz, 1918, Le Guitariste (The Guitar Player)
• 
  Jacques Lipchitz, 1918, Instruments de musique (Still Life), bas relief, stone
• 
  Jacques Lipchitz, 1919, Pierrot. Published in Action, Cahiers individualistes de philosophie et d’art, July 1920
• 
  Jacques Lipchitz, 1919-20, Harlequin with Clarinet
• 
  Jacques Lipchitz, 1920, Harlequin with Clarinet
• 
  Jacques Lipchitz, 1920, Man with Guitar
• 
  Jacques Lipchitz, 1920, Portrait of Jean Cocteau

Juan Gris

• 
  Juan Gris , 1907, El 1 de mayo en el Kursall. Illustration published in the magazine ¡Alegría!, Madrid 1907
• 
  Juan Gris, 1911, Maisons à Paris (Houses in Paris), 1911, oil on canvas, 52.4 x 34.2 cm, Solomon R. Guggenheim Museum, New York
• 
  Juan Gris, 1912, Portrait (Etude pour le Portrait de Germaine Raynal), pencil and charcoal on paper, 36 x 26.5 cm, private collection, reproduced in Les Peintres Cubistes, 1913
• 
  Juan Gris, 1912, Les Cigares (The Packet of Cigars), oil on canvas, 22 x 28 cm, private collection, reproduced in Les Peintres Cubistes, 1913
• 
  Juan Gris, 1912, La Guitare (Guitar and Glasses), oil on canvas, 30 x 58 cm, private collection, reproduced in Les Peintres Cubistes, 1913
• 
  Juan Gris, 1913, Guitar and Pipe, oil and charcoal on canvas, 64.77 × 50.17 cm, Dallas Museum of Art
• 
  Juan Gris, 1914, Glass of Beer and Playing Cards, oil on canvas, 54.9 x 37.8 cm (21 5/8 x 14 7/8 in.), Columbus Museum of Art
• 
  Juan Gris, 1914, Le Compotier (The Fruit Bowl), chalk and oil on canvas, 92 x 65 cm, Kröller-Müller Museum, Otterlo, Netherlands
• 
  Juan Gris, 1915, Still Life before an Open Window, Place Ravignan, Philadelphia Museum of Art
• 
  Juan Gris, 1915, Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth), oil on canvas, 116.5 x 89.3 cm
• 
  Juan Gris, September 1915, Jeu d'échecs (The Checkerboard), oil on canvas, 92.1 x 73 cm, Art Institute of Chicago
• 
  Juan Gris, 1916, Woman with Mandolin, after Corot (La femme à la mandoline, d'après Corot), oil on canvas, 92 x 60 cm, Kunstmuseum Basel
• 
  Jean-Baptiste-Camille Corot, 1860–65, Girl with Mandolin, oil on canvas, 51.4 x 40.3 cm, Saint Louis Art Museum (cropped).jpg
• 
  Juan Gris, October 1916, Portrait of Josette, oil on canvas, 116 x 73 cm, Museo Nacional Centro de Arte Reina Sofía, Madrid
• 
  Juan Gris, 1917, Compotier et nappe à carreaux (Fruit Dish on a Checkered Tablecloth), oil on wood panel, 80.6 x 53.9 cm, Guggenheim Museum
• 
  Juan Gris, 1919, Arlequin à la guitare (Harlequin with Guitar), oil on canvas, 116 x 89 cm, Musée National d'Art Moderne, Paris

Marie Laurencin

• 
  Marie Laurencin, 1909, Réunion à la campagne (Apollinaire et ses amis), oil on canvas, 130 x 194 cm, Musée Picasso, Paris. Alternative titles: La Noble compagnie, Le Rendez-vous des amis: Gertrude Stein, Fernande Olivier, a muse, Guillaume Apollinaire, Fricka the dog, Pablo Picasso, Marguerite Gillot, Maurice Cremnitz and Marie Laurencin
• 
  Salon des Indépendants

  , 1911, Moderna Museet, Stockholm
• 
  Marie Laurencin, Femme à l'éventail (Woman with a fan). Reproduced in Du "Cubisme", 1912
• 
  Marie Laurencin, 1911, Die Jungen Damen, Les jeunes femmes, The young women, Published in Küppers, Paul Erich, Der Kubismus; ein künstlerisches Formproblem unserer Zeit, 1920
• 
  Marie Laurencin, 1913, Le Bal élégant, La Danse à la campagne

André Derain

• 
  André Derain, 1908, photograph published in Gelett Burgess, The Wild Men of Paris, Architectural Record, May 1910. Sculpture: Nu debout (Standing Woman), 1907
• 
  André Derain, 1907 (Automne), Nu debout, limestone, 95 x 33 x 17 cm, Musée National d'Art Moderne
• 
  André Derain, 1905, Le séchage des voiles (The Drying Sails), oil on canvas, 82 x 101 cm, Pushkin Museum, Moscow. Exhibited at the 1905 Salon d'Automne
• 
  André Derain, 1906, La jetée à L'Estaque, oil on canvas, 38 x 46 cm
• 
  André Derain, 1907, Pinède à Cassis (Landscape), oil on canvas, 54 x 65 cm, Musée Cantini, Marseille
• 
  André Derain, 1907, Paysage à Cassis, oil on canvas, 54 x 64 cm, Musée d'art moderne de Troyes
• 
  André Derain, c.1908, Baigneuses (Esquisse), oil on canvas, 38 x 46 cm,

  Musée d'Art Moderne de la Ville de Paris
• 
  André Derain, 1910, View of Cagnes, oil on canvas, Museum Folkwang, Essen, Germany
• 
  André Derain, 1911, La Table (The Table), oil on canvas, 96.5 x 131.1 cm, Metropolitan Museum of Art
• 
  André Derain, 1911, The Last Supper, oil on canvas, 227.3 x 288.3 cm, Art Institute of Chicago
• 
  André Derain, 1912, Nature morte (Still Life), oil on canvas, 100.5 x 118 cm, The State Hermitage Museum, Saint Petersburg, Russia. Reproduced in Du "Cubisme", 1912
• 
  André Derain, 1912, Window on the Park (La Fênetre sur le parc), 130.8 x 89.5 cm (51.5 x 35.25 in), Museum of Modern Art, New York
• 
  André Derain, 1913-14, Le Samedi, oil on canvas, 181 x 228 cm, Pushkin Museum, Moscow

Kees van Dongen

• 
  Kees van Dongen in his studio circa 1910
• 
  Kees van Dongen, c.1907-08, Portrait of Daniel-Henry Kahnweiler (Portrait de Kahnweiler), oil on canvas, 65 x 54 cm, Musée du Petit Palais, Geneva
• 
  Kees van Dongen, c.1907, Femme aux bas noirs (Woman with Black Stockings), oil on canvas, 129.5 x 195.5 cm
• 
  Kees van Dongen, 1907-08, Les lutteuses (Lutteuses du Tabarin), oil on canvas, 105.5 x 164 cm, Nouveau Musée National de Monaco
• 
  Kees van Dongen, c.1907-08, The Dancer Anita, oil on canvas, 130.5 x 97 cm, National Gallery of Denmark
• 
  Kees van Dongen, 1911, La Femme au Jabot (Woman with Frill), oil on canvas, 98 cm x 79 cm
• 
  Kees van Dongen, 1911, En la plaza (Femme a la balustrade, Woman on the balustrade), oil on canvas, 81.3 x 99.1 cm, Annonciade Museum, Saint Tropez. Galeries Dalmau, 1920
• 
  Kees van Dongen, c.1919, La robe rose (Ève Francis), oil on canvas, 146.5 x 114.3 cm
• 
  Kees van Dongen, 1919, Le lévrier bleu (Le chien bleu, Portrait de Mlle Dumarest), oil on canvas, 195 x 97 cm
• 
  Kees van Dongen, before 1920, La femme au foulard, oil on canvas, 92.5 x 73.5 cm
• 
  Kees van Dongen, before 1920, Mme Jasmy Alvin, oil on canvas, 195 x 131.5 cm,

  Musée national d'art moderne
• 
  Musée d'Art Moderne de la Ville de Paris

  . Alternative titles: La Maharanee, Mlle R. M… (Portrait de Renée Maha)
• 
  Kees van Dongen, 1920, La Baigneuse, Deauville, oil on canvas, 195 x 129 cm

Diego Rivera

• 
  Diego Rivera, 1912-13, Adoration of the Virgin and Child, oil and encaustic on canvas, 150 x 120 cm, private collection
• 
  Arkansas Arts Center

  , Little Rock, Arkansas
• 
  Diego Rivera, 1914, Portrait de Messieurs Kawashima et Foujita, oil and collage on canvas, 78.5 x 74 cm, private collection
• 
  Diego Rivera, c.1915, Portrait of Marevna, oil on canvas, 145.7 x 112.7 cm, Art Institute of Chicago
• 
  Diego Rivera, after August 1916, Maternidad, Angelina y et niño Diego (Motherhood, Angelina and the Child Diego), oil on canvas, 134.5 x 88.5 cm, Museo de Arte Carrillo Gil, Mexico City
• 
  Diego Rivera, 1916, Still Life with Tulips (Naturaleza Muerta con Tulipanes), oil on canvas, 67.8 x 53.7 cm

Cubism, Futurism, press articles and reviews

• 
  Femme au miroir (Femme à sa toilette, Lady at her Dressing Table)

  , The Sun, New York, Sunday 28 April 1918
• 
  Paintings by Albert Gleizes, 1910-11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Published on the front page of El Correo Catalán, 25 April 1912
• 
  (center)

  Le Fumeur (Man with Pipe), Carnegie Museum of Art, Pittsburgh; (left) Alexander Archipenko

  , 1914, Danseuse du Médrano (Médrano II), (right) Archipenko, 1913, Pierrot-carrousel, Solomon R. Guggenheim Museum, New York. Published in Le Petit Comtois, 13 March 1914
• 
  Paintings by

  Dancer in a café, Albright-Knox Art Gallery; and sculpture by Alexander Archipenko

  , 1912, La Vie Familiale, Family Life (destroyed). Published in Les Annales politiques et littéraires, n. 1529, 13 October 1912
• 
  Paintings by Gino Severini, 1911, La Danse du Pan-Pan, and Severini, 1913, L’autobus. Published in Les Annales politiques et littéraires, Le Paradoxe Cubiste, 14 March 1920
• 
  Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon; Severini, 1912-13, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 1911-12, La Révolte. Published in Les Annales politiques et littéraires, Le Paradoxe Cubiste, n. 1916, 14 March 1920
• 
  Paintings by

  Le goûter (Tea Time), Philadelphia Museum of Art; Robert Delaunay

  , 1910-11, La Tour Eiffel. Published in La Veu de Catalunya, 1 February 1912
• 
  Jean Metzinger, 1910-11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud). Published in Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912
• 
  Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs; Juan Gris, 1911, Study for Man in a Café; Marie Laurencin, c.1911, Testa ab plechs; August Agero, sculpture, Bust; Juan Gris, 1912, Guitar and Glasses, or Banjo and Glasses. Published in Veu de Catalunya, 25 April 1912
• 
  Le goûter (Tea Time)

  , Philadelphia Museum of Art. Published in Le Journal, 30 September 1911
• 
  Paintings by

  Deux Nus, Two Nudes, Gothenburg Museum of Art; Marie Laurencin (acrylic); Albert Gleizes, 1911, Paysage, Landscape

  . Published in La Publicidad, 26 April 1912
• 
  Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir d’une nuit. Published in Les Annales politiques et littéraires, 1 December 1912
• 
  The "Cubists" Dominate Paris' Fall Salon, The New York Times, October 8, 1911. Reproduced are Picasso's 1908 Seated Woman (Meditation); Picasso in his studio; Metzinger's

  Baigneuses

  (1908-09); works by Derain, Matisse, Friesz, Herbin, and a photo of Braque
• 
  Francis Picabia, paintings published in the New York Tribune, 9 March 1913. Picabia held his first one-man show in New York, Exhibition of New York studies by Francis Picabia, at 291 art gallery (formerly Little Galleries of the Photo-Secession), March 17 - April 5, 1913
• 
  Joseph Csaky, Head, 1913, plaster lost; Robert Delaunay, Hommage à Blériot, 1914 (Kunstmuseum Basel); Henri Ottmann, The Hat Seller, published in The Sun (New York), 15 March 1914
• 
  Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni, Gino Severini, The Sun, 25 February 1912
• 
  Marcel Duchamp, Nude Descending a Staircase, No. 2; Tobeen, Pelotaris; Pierre Dumont, Cathédrale de Rouen; Francis Picabia, Musique en procession, Henry Valensi [fr], Moscou la sainte; Juan Gris, Man in a Café. Le Cubisme à l'Exposition de la Section d'Or, Excelsior, 18 October 1912
• 
  Albert Gleizes and his wife Juliette Roche-Gleizes, published in the New York Tribune, New York, 9 October 1915
• 
  Albert Gleizes, (left) in front of his painting Jazz; Jean Crotti (center) studying his Femme à la toque rouge; Marcel Duchamp (right) at his drawing board, in front of Jacques Villon's Portrait de M. J. B. peintre, The Sun, New York, 2 January 1916
• 
  Albert Gleizes (with Chal Post, 1915);

  Stanton MacDonald-Wright; and Frances Simpson Stevens

  (center), Sometimes we dread the future, Every Week, Vol. 4, No. 14, April 2, 1917, p. 14
• 
  Tobeen, Pelotaris (1912), Constantin Brâncuși, Portrait of Mademoiselle Pogany (1912), Jean Metzinger, La Femme à l'Éventail (Woman with a Fan) and En Canot (Im Boot), both of 1913. Zlatá Praha, 13 March 1914, for the occasion of the Mánes Pavilion in Prague
• 
  Page of the newspaper Excelsior, article title Au Salon d'Automne, Les Indépendants, printed October 1912. Works by Jean Metzinger, Albert Gleizes, František Kupka, Roger de La Fresnaye and others are reproduced
• 
  La Section d'Or, numero special, 9 Octobre 1912
• 
  Frederick William MacMonnies, Albert Gleizes, Jean Crotti, Yvonne Chastel Crotti, Francis Picabia, Juliette Roche-Gleizes, Marcel Duchamp, New York Tribune, 24 October 1915

Wassily Kandinsky

• 
  Wassily Kandinsky, Improvisation 27 (Garden of Love II), 1912, oil on canvas, 47 3/8 x 55 1/4 in. (120.3 x 140.3 cm), The Metropolitan Museum of Art, New York. Exhibited at the 1913 Armory Show
• 
  Wassily Kandinsky, 1908, Murnau, Dorfstrasse (A Village Street), oil on cardboard, later mounted on wood panel, 48 x 69.5 cm, The Merzbacher collection, Switzerland
• 
  Wassily Kandinsky, 1911, Reiter (Lyrishes), oil on canvas, 94 x 130 cm, Museum Boijmans Van Beuningen, Rotterdam, Netherlands
• 
  Wassily Kandinsky, 1912, Landscape With Two Poplars, 78.8 x 100.4 cm, The Art Institute of Chicago
• 
  Wassily Kandinsky, Aquarell 6, Kunstdrucke auf japanpapier

Roger de La Fresnaye

• 
  Centre Georges-Pompidou

  , Paris
• 
  Roger de La Fresnaye, 1911, Cuirassier, oil on canvas, 175.9 x 179 cm, Musée des Beaux-Arts, Lyon
• 
  Roger de La Fresnaye, 1912, Les Baigneuses (The Bathers), oil on canvas, 162 x 130 cm (63 3/4 x 51 3/16 in.), National Gallery of Art, Washington DC.
• 
  Roger de La Fresnaye, 1912, Jeanne d'Arc, oil on canvas, 200 x 100 cm, Musée d'art moderne de Troyes
• 
  Roger de La Fresnaye, 1913, The Conquest of the Air, oil on canvas, 235.9 x 195.6 cm (7' 8 7/8" x 6' 5"), Museum of Modern Art, New York

Umberto Boccioni

• 
  Umberto Boccioni, 1909-10, Three Women (Tre donne), oil on canvas, 180 × 132 cm , Banca Commerciale Italiana
• 
  Umberto Boccioni, 1910, The City Rises, oil on canvas, 199.3 x 301 cm, Museum of Modern Art, New York
• 
  Umberto Boccioni, 1911, The Street Enters the House, oil on canvas, 100 x 100.6 cm, Sprengel Museum
• 
  Umberto Boccioni, c. 1911-12, Visioni simultanee (Simultanvisionen), oil on canvas, 60.5 × 60.5 cm, Von der Heydt Museum
• 
  Umberto Boccioni, Head + House + Light, 1912, sculpture destroyed. Published in 1914 and 1919, in Cubists and Post-Impressionism, by Arthur Jerome Eddy
• 
  Umberto Boccioni, 1912, Elasticity (Elasticità), oil on canvas, 100 x 100 cm, Museo del Novecento
• 
  Umberto Boccioni, Spiralförmige ausdehnung von muskeln in bewegung, plaster. Exhibited at Erster deutscher Herbstsalon, Berlin 1913. Leitung: Herwarth Walden. Published 1913 catalogue by Der Sturm in Berlin
• 
  Umberto Boccioni, Spiral Expansion of Muscles in Action, plaster, photograph published in 1914 and 1919, in Cubists and Post-Impressionism, by Arthur Jerome Eddy
• 
  Umberto Boccioni, 1913, Synthèse du dynamisme humain (Synthesis of Human Dynamism), sculpture destroyed
• 
  Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long-term loan to the Peggy Guggenheim Collection, Venice
• 
  Umberto Boccioni, 1913, Dynamism of a Soccer Player, oil on canvas, 193.2 x 201 cm, The Sidney and Harriet Janis Collection, Museum of Modern Art, New York
• 
  Umberto Boccioni, portrait photograph

Carlo Carrà

• 
  Carlo Carrà, 1911, Funeral of the Anarchist Galli, oil on canvas, 198.7 x 259.1 cm, Museum of Modern Art, New York
• 
  Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera
• 
  Carlo Carra

  , 1912, Woman on the Balcony, (Simultaneità, La donna al balcone), Collezione R. Jucker, Milan, Italy
• 
  Carlo Carrà, 1918, L'Ovale delle Apparizioni (The Oval of Apparition), oil on canvas, 92 x 60 cm, Galleria Nazionale d’Arte Moderna, Rome, or Collezioni R. Jucker, Milan
• 
  Carlo Carrà, 1919, Le figlie di Loth, oil on canvas, 111 x 80 cm, Museum of Modern and Contemporary Art of Trento and Rovereto

Giorgio de Chirico

• 
  The Song of Love, oil on canvas, 73 × 59.1 cm, Museum of Modern Art

  , New York
• 
  Giorgio de Chirico, 1914-15, Le mauvais génie d’un roi (The Evil Genius of a King), oil on canvas, 61 × 50.2 cm (24 x 19 3/4 in.), Museum of Modern Art, New York
• 
  Giorgio de Chirico, 1914-15, The Seer, oil on canvas, 89.6 x 70.1 cm, Museum of Modern Art
• 
  Giorgio de Chirico, 1917, Il grande metafisico (The Grand Metaphysician), oil on canvas, 104.8 x 69.5 cm
• 
  Giorgio de Chirico, 1917, Great Metaphysical Interior, oil on canvas, 95.9 x 70.5 cm, Museum of Modern Art, New York
• 
  Giorgio de Chirico, 1920, Self-portrait (Autoritratto), oil on wood, 50.2 x 39.5 cm, Pinakothek der Moderne

Moïse Kisling

• 
  Moïse Kisling, 1913, Nu sur un divan noir, oil on canvas, 97 x 130 cm, published in Montjoie!, 1914
• 
  Moïse Kisling, 1916, La Sieste à Saint-Tropez, Kisling avec Renée
• 
  Moïse Kisling, Portrait du peintre (Autoportrait), oil on canvas, 81.3 x 60.3 cm, private collection
• 
  Moïse Kisling, 1921, Nu assis, oil on canvas, private collection
• 
  Moïse Kisling, c.1920, Le pêcheur (The Fisherman), oil on canvas, 82 x 61.7 cm, private collection
• 
  Moïse Kisling, Nature morte (Still Life), Action, Cahiers Individualistes De Philosophie Et D’art, August 1921

André Lhote

• 
  André Lhote, 1912, Paysage français (French Landscape), oil on canvas, 89 x 116 cm, Musée des Beaux-Arts de Bordeaux
• 
  Musée d'Art Moderne de la Ville de Paris
• 
  André Lhote, 1913, Dessin pour L'escale, published in Montjoie, n.5, 14 April 1913
• 
  André Lhote, 1913-14, 14 juillet, Port de Bordeaux-Poincaré, oil on canvas, 65 x 81.5 cm, private collection

Man Ray

• 
  Man Ray, 1919, Seguidilla, airbrushed gouache, pen & ink, pencil, and colored pencil on paperboard, 55.8 x 70.6 cm, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
• 
  Man Ray, 1920, The Coat-Stand (Porte manteau), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921
• 
  Man Ray, Lampshade, reproduced in 391, n. 13, July 1920
• 
  Man Ray, c. 1921-22, Rencontre dans la porte tournante, published on the cover of Der Sturm, Volume 13, Number 3, 5 March 1922
• 
  Man Ray, c. 1921-22, Dessin (Drawing), published on page 43 of Der Sturm, Volume 13, Number 3, 5 March 1922
• 
  Man Ray, 1922, Untitled Rayograph, gelatin silver photogram, image/sheet: 23.5 x 17.8 cm (9¼ x 7in.)

Le Corbusier, Amédée Ozenfant

• 
  Le Corbusier (Charles-Édouard Jeanneret), 1920, Still Life, oil on canvas, 80.9 x 99.7 cm, Museum of Modern Art
• 
  Le Corbusier (Charles-Édouard Jeanneret), 1920, Guitare verticale (2ème version), oil on canvas, 100 x 81 cm, Fondation Le Corbusier, Paris
• 
  Le Corbusier, 1921, Nature morte (Still Life), oil on canvas, 54 x 81 cm, Musée National d'Art Moderne
• 
  Le Corbusier (Charles Edouard Jeanneret), 1922, Nature morte verticale (Vertical Still Life), oil on canvas, 146.3 x 89.3 cm, Kunstmuseum Basel
• 
  Amédée Ozenfant, 1920, Still Life, Dishes, oil on canvas, 72 x 59.5 cm, Hermitage Museum
• 
  Amédée Ozenfant, 1920-21, Nature morte (Still Life), oil on canvas, 81.28 cm x 100.65 cm,

  SFMOMA
• 
  Amédée Ozenfant, 1921, Nature morte au verre de vin rouge (Still Life with Glass of Red Wine), oil on canvas, 50.6 x 61.2 cm, Kunstmuseum Basel

Other works

• 
  Edwin Scharff, before 1920, Großer Schreitender Mann (Man of the border), sculpture
• 
  Armory show, no. 647 of the catalogue. Dasburg extensively reworked by carving directly into a sculpture of a life-size plaster head by Arthur Lee.(American Studies at the University of Virginia

  )
• 
  Pierre Dumont, c.1912, Cathédrale de Rouen (Rouen Cathedral), oil on canvas, 192.4 x 138.7 cm, Milwaukee Art Museum
• 
  Centre Georges Pompidou

  , MNAM, Paris
• 
  Morgan Russell, 1913-14, Synchromy in Orange, To Form, oil on canvas
• 
  Musée d'Art Moderne de la Ville de Paris
• 
  National Museum of Art, Architecture and Design

  , Norway
• 
  Max Pechstein, 1911, Under the Trees (Akte im Freien), oil on canvas, 73.6 x 99 cm (29 x 39 in), Detroit Institute of Arts
• 
  National Museum of Art, Architecture and Design

  , Norway
• 
  Lyonel Feininger, 1914, Benz VI, oil on canvas, 100 x 125 cm (39.3 x 49.2 in)
• 
  František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 x 200 cm, Narodni Galerie, Prague. Published in Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne, Paris
• 
  Jean Crotti, 1915, Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4-22 April 1916, New York City. Sculpture lost or destroyed. Photo: MoMA
• 
  Jean Crotti, 1915, Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4–22 April 1916, New York City. Sculpture lost or destroyed
• 
  Salon des Indépendants

  , 1914, Paris. Published in Montjoie!, 1914
• 
  Ossip Zadkine, 1918, Femme au violon (Woman with a Violin). Published in Action: Cahiers Individualistes De Philosophie Et D’art, October 1920
• 
  Ossip Zadkine, 1920, Venus, published in Action: Cahiers individualistes de philosophie et d’art, Volume 1, Number 4, July 1920
• 
  Albert Lebourg, Bords de Seine à Chatou, oil on canvas, 46.4 by 65.1 cm (18.25 by 25.6 in)
• 
  Albert Lebourg, before 1918, Paris, l'écluse de la Monnaie. Soleil d'hiver, oil on canvas, 81.5 x 115.5 cm, Musée d'Orsay, Paris
• 
  William Didier-Pouget, 1906 engraving
• 
  William Didier-Pouget circa 1907 in his studio, 12 Boulevard de Clichy, Paris (Postcard)
• 
  William Didier-Pouget, ca.1909, Matinée dans le Limousin, Bruyères en fleurs, oil on canvas, 240 x 170 cm. Sale, Tajan Paris, Monday 18 November 2002, Lot 205 (entitled Bergère).
• 
  William Didier-Pouget, Ajoncs et Bruyères, Salon 1912, postcard
• 
  William Didier-Pouget, ca.1902-1903, Hauts Plateaux de la Corrèze, oil on canvas, 47.5 x 83.5 cm. (18 3/4 x 32 3/4 in.). Sale, Bonhams London, Tuesday, March 27, 2007, Lot 76 (entitled Bruyères en fleurs).
• 
  William Didier-Pouget, ca.1907-1908, Bruyères en Fleurs, Le Matin, oil on canvas, 129.5 x 209.6 cm (51 x 82.5 inches). Sale, Sotheby's New York: Thursday, October 24, 1996, Lot 302 (entitled Bruyeres en fleurs: Le matin).
• 
  William Didier-Pouget, ca.1907-1908, Le Matin, Bruyères en Fleurs (Auvergne), oil on canvas, 182.9 x 251.8 cm (detail). Sale: Sotheby's New York, Wednesday, October 13, 1993, Lot 16 (entitled Ruins of Crozant (Creuze)).
• 
  William Didier-Pouget, Lande aux Bruyères, Plateau de Ger (Hautes-Pyrénées), oil on canvas, 55 x 85 cm, Collection d'Art de la Ville de Paris, Palais des Beaux-Arts, Paris.
• 
  William Didier-Pouget in his studio, 12 Boulevard de Clichy, Paris, circa 1907, Postcard (detail). This postcard was postmarked and mailed in 1907
• 
  William Didier-Pouget, Le soir dans les Hautes Pyrénées, Salon 1904, postcard
• 
  William Didier-Pouget Matinée dans le Limousin, Bruyères en fleurs, postcard, Salon 1910
• 
  Henri Biva, 1903, The Artist at Villeneuve l'Etang (detail)
• 
  Henri Biva, ca 1905-06, Matin à Villeneuve (From Waters Edge), oil on canvas, 60 1/2 x 50 inches (153.7 x 127 cm), painted at Villeneuve l'Etang, Marnes-la-Coquette (Seine-et-Oise), France, private collection
• 
  Henri Biva, By the river, signed Henri Biva (lower left) oil on canvas, 122 by 162 cm.
• 
  Henri Biva, Bord de rivière ensoleillé, signed Henri Biva (lower left), oil on canvas, 53.3 by 59.7 cm.
• 
  Henri Biva, A quiet stretch of the river, signed Henri Biva (lower right), oil on canvas, 50 by 61 cm.
• 
  Henri Biva, Sur le Pont de Villeneuve, Temps couvert before 1914. Postcard for the Salon the Paris, 1914. Location, Marnes-la-Coquette (Seine-et-Oise), France
• 
  Henri Biva, Le Matin embrumé à Villeneuve-l'Etang, Postcard for the Salon de Paris, 1910
• 
  Henri Biva, ca. 1909, The artist painting at Villeneuve-l'Etang, Marnes-la-Coquette (Seine-et-Oise), France
• 
  Camille Bouvagne, Le Bistrot, oil on canvas, 40 x 55 cm
• 
  Gustave Caillebotte, c.1880, L'homme au balcon, Man on a Balcony, oil on canvas, 116 x 97 cm, private collection
• 
  Louis Tocqué, c.1758, Portrait of Anna Stroganova (1743-1769), oil on canvas
• 
  Jean Carolus, L'atelier du peintre, oil on panel, 47 x 24.4 cm
• 
  Joachim Patinir, St Christopher Bearing the Christ Child, oil on panel, 48 x 59.5 cm (18.9 x 23.4 in), Rockoxhuis, Antwerp, Belgium
• 
  Master of Frankfurt, Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.), Historical Museum, Frankfurt. This painting, rendered in grisaille, forms part of the outer wings of the Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
• 
  Lambda-CDM model, Accelerated Expansion of the Universe. The time-line in this schematic diagram extends from the big bang/inflation era 13.7 Gyr ago to the present cosmological time. (Personal work)
• 
  Georges Seurat, 1889-90, Le Chahut, Kröller-Müller Museum, Otterlo, Netherlands
• 
  Le Cirque (The Circus), oil on canvas, 185 x 152 cm, Musée d'Orsay

  , Paris (includes frame painted by Seurat)
• 
  Le Cirque (The Circus), oil on canvas, 186 x 152 cm, Musée d'Orsay

  , Paris
• 
  Henri-Edmond Cross, 1907-08, La Pleine de Bormes, oil on canvas, 73.1 x 91.8 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
• 
  Paul Signac, 1890, Portrait of Félix Fénéon, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, oil on canvas, 73.5 x 92.5 cm, Museum of Modern Art, New York
• 
  Bohumil Kubišta, 1908, Self portrait (Autoportrét, Vlastní podobizna v haveloku), oil on canvas, 91 x 65 cm, Galerie regionale des arts plastiques (Krajská galerie výtvarného umění ve Zlíně), Zlin, Czech Republic
• 
  Page of the newspaper Excelsior, article title Au Salon d'Automne, Les Indépendants, printed October 1912. Works by Jean Metzinger, Albert Gleizes, František Kupka, Roger de La Fresnaye and others are reproduced
• 
  The Salon d'Automne of 1912, held in Paris at the Grand Palais from 1 October to 8 November. Metzinger's Danseuse is exhibited second to the right. Other works are shown by Joseph Csaky, František Kupka, Francis Picabia, Amedeo Modigliani and Henri Le Fauconnier
• 
  Étienne-Jules Marey, Cheval blanc monté, 1886, locomotion du cheval, expérience 4, Chronophotography sur plaque fixe, négatif
• 
  Eadweard Muybridge, 1887, Animal Locomotion, Plate 187, Dancing, fancy, no. 12, Miss Larrigan
• 
  Eadweard Muybridge, 1887, Animal Locomotion, Woman Dancing (fancy), plate 187, animated using still photographs: one of the production experiments that led to the development of motion pictures
• 
  L'Oiseau Bleu, The Blue Bird (play) by Maurice Maeterlinck, Moscow Art Theatre MKhT, Photographer Fischer, 1908
• 
  Eadweard Muybridge, Cockatoo flying, 1887, Collotype process, Animal Locomotion collection, plate 758. Animated using still photographs: one of the production experiments that led to the development of motion pictures.
• 
  Jacques Villon, 1912, Girl at the Piano (Fillette au piano), oil on canvas, 129.2 x 96.4 cm (51 x 37.8 in), oval, Museum of Modern Art, New York. Exhibited at the 1913 Armory Show, New York, Chicago and Boston. Purchased from the Armory Show by John Quinn
• 
  Jacques Villon, 1913, Portrait of Marcel Duchamp, oil on canvas, 60 x 48.5 cm
• 
  Jacques Villon, 1914, Portrait de M. J. B. peintre (Jacques Bon), oil on canvas, 121.92 x 81.28 cm, Columbus Museum of Art
• 
  Armory Show, 1913, New York Tribune, February 17, 1913 (p. 7). Left to right: Raymond Duchamp-Villon, La Maison Cubiste; Marcel Duchamp Nude (Study); Albert Gleizes, l'Homme au Balcon; Marcel Duchamp, Nude Descending a Staircase, No. 2; Alexander Archipenko, La Vie Familiale
• 
  Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913
• 
  Installation shot of the Matisse room, 1913 Armory Show, published in the New York Tribune (p. 7), February 17, 1913
• 
  Armory Show artists and members of the press at the beefsteak dinner given by the Association of American Painters and Sculptors, 8 March 1913
• 
  Othon Friesz, 1907, Paysage à La Ciotat, oil on canvas, 59.9 x 72.9 cm
• 
  National Museum of Art, Architecture and Design

  , Oslo
• 
  Othon Friesz, 1908, Les Baigneuses des Andelys (The Bathers of Andelys), oil on canvas, 97 x 162 cm, Musée du Petit Palais, Geneva
• 
  Robert Winthrop Chanler (American, 1872–1930), 1912, Leopard and Deer, Gouache or tempera on canvas, mounted on wood, 194.3 × 133.4 cm (76.5 × 52.5 in), Rokeby Collection. Exhibited at the Armory Show, New York, 1913
• 
  Robert Winthrop Chanler, 1905, Giraffes, portion of a screen. Print, published 1922
• 
  Robert Winthrop Chanler, Stained Glass windows (one of seven, and a study drawing) in the Whitney Studio, New York City, 1918-1923. Private Collection
• 
  Otto Gutfreund, Violoncelliste (Cellist), 1912–13
• 
  Henri Gaudier-Brzeska, 1914, Boy with a Coney (Boy with a rabbit), marble
• 
  Léopold Survage, 1920, La Ville (The Town), oil on canvas, 254 x 152 cm (black and white photographic reproduction)
• 
  Léopold Survage, La Ville (Stadt)
• 
  Pablo Gargallo, 1913, Masque de Picasso (Portrait of Picasso), sculpture, from Maurice Raynal, 1921
• 
  Arthur Dove, 1911-12, Based on Leaf Forms and Spaces, pastel on unidentified support. Now lost
• 
  Arthur Dove, Cow, 1914, pastel on canvas, 45.1 x 54.6 cm, Metropolitan Museum of Art, New York
• 
  Arthur Dove, 1930, Clouds and Water, oil on canvas, 75.2 x 100.6 cm, Metropolitan Museum of Art
• 
  Arthur Dove, 1935, Moon, oil on canvas, 88.9 x 63.5 cm, National Gallery of Art, Washington DC
• 
  Albert Bloch, 1916, Summer Night, oil on canvas, 119 x 114 cm, private collection
• 
  Paul Gauguin, 1889, Soyez amoureuses vous serez heureuses, relief, Museum of Fine Arts, Boston
• 
  Paul Gauguin, 1889, Pot Anthropomorphe, partially glazed stoneware, 28.4 cm, Musée d'Orsay, Paris
• 
  Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay

  , Paris. Photo: Coldcreation
• 
  Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay

  , Paris. Photo: Coldcreation
• 
  Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay

  , Paris
• 
  Paul Gauguin, ca.1891-1893, Tehura (Teha'amana), polychromed pua wood (Perfume Flower Tree), H. 22.2 cm. Realized during Gauguin's first voyage to Tahiti. Musée d'Orsay, Paris. Photo: Coldcreation
• 
  After Paul Gauguin, Oviri, carved wood, Paul Gauguin Cultural Center, Atuona, on Hiva ‘Oa, in the Marquesas Islands, French Polynesia
• 
  Musée d'Art Moderne de la Ville de Paris. At the outbreak of World War I this painting was confiscated from the collection of Wilhelm Uhde by the French state and sold at Hôtel Drouot

  in 1921
• 
  Auguste Herbin, 1911, Le pont de fer (Iron Bridge), oil on canvas, 63.5 x 80 cm. At the outbreak of World War I this painting was confiscated from the collection of Wilhelm Uhde by the French state and sold at Hôtel Drouot in 1921
• 
  Auguste Herbin, 1912, Les roses, oil on canvas, 92.1 x 60.3 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (page from the catalogue)
• 
  Aristide Maillol, Bas Relief, terracota, Armory Show catalogue image (no. 110 of the catalogue)
• 
  Auguste Rodin, before 1886, The three shades, plaster, 97 x 91.3 x 54.3 cm. In Dante’s Divine Comedy, the shades, i.e. the souls of the damned, stand at the entrance to Hell, pointing to an unequivocal inscription, “Abandon hope, all ye who enter here”. Rodin assembled three identical figures that seem to be turning around the same point.
• 
  Auguste Rodin, The three shades (Les Trois Ombres), for the top of The Gates of Hell, before 1886, plaster.
• 
  Auguste Rodin, 1881-1904, L'Ombre (The Shade), bronze, Jardin des Tuileries, Paris. Photo: Coldcreation
• 
  Auguste Rodin, 1881-ca.1899, Éve, bronze, Jardin des Tuilleries, Paris. Photo by Coldcreation
• 
  Auguste Rodin, 1881-ca.1905, Méditation avec bras, bronze, Jardin des Tuilleries, Paris. Photo by Coldcreation
• 
  Wilhelm Lehmbruck, 1911, Femme á genoux (The Kneeling One), cast stone, 176 x 138 x 70 cm (69.2 x 54.5 x 27.5 in), Armory Show postcard
• 
  Abastenia St. Leger Eberle, 1912-13, The White Slave. Photograph: The Survey, Journal Publication, Ohio, 3 May, 1913, Exhibited at the Armory Show
• 
  George Grey Barnard, The Birth, marble, exhibited at the Armory Show, 1913
• 
  Wadsworth Athenaeum

  Museum of Art, Hartford, CT
• 
  Georges Lacombe, 1894, 1896, L'Existence, carved wood (Bas-relief en bois de noyer), 68.5 x 141.5 x 6 cm, Musée d'Orsay, Paris. Photo: Coldcreation
• 
  Georges Lacombe, Femmes Damnées, bas-relief. Published in Gustave Coquiot, Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture, 1914. Photo: Coldcreation
• 
  Musée Ingres

  , Montauban, France
• 
  Ernesto De Fiori, Nu, sculpture. Image published in 1914, Gustave Coquiot, Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture
• 
  Francisco Durrio de Madrón, Fragment du Monument Arriaga, pour la Ville de Bilbao, sculpture. Image published in Cubistes, futuristes, passéistes, 1914
• 
  Kunsthalle Hamburg

  , Germany
• 
  Andries Cornelius Lens, Dance of the Maenad (The transformation of an Apulian man into an olive tree), c.1765, oil on canvas, 100 x 118 cm, Kunsthistorisches Museum, Vienna, Austria
• 
  Centre Georges Pompidou

  , Paris
• 
  Cover of the Catalogue for the 1911 Salon d'Automne, Paris
• 
  Eugène Carrière, 1899, Le Réveil, Le Baiser à la mère (Her Mother's Kiss), oil on canvas, 94 x 120 cm, Pushkin Museum, Moscow
• 
  Paul Cézanne, 1888-90, Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, oil on canvas, 116.5 x 89.5 cm, The Metropolitan Museum of Art, New York
• 
  Paul Cézanne, 1890-94, Madame Cézanne in a Red Dress, oil on canvas, 93.3 × 74 cm (36.7 × 29.1 in), Vermelho, São Paulo Museum of Art. (Black and white). Reproduced in Du "Cubisme"
• 
  Salon des Indépendants

  1912, and Moderni Umeni, SVU Mánes, Prague, 1914
• 
  Marcel Duchamp, Jacques Villon, Raymond Duchamp-Villon in the garden of Villon's studio, Puteaux, France, c.1913
• 
  Cycles J.B. Louvet, Poster Tour de France 1912, Collection Ivan Bonduelle
• 
  Deer hunting scene. Miniature from the Le Livre de chasse de Gaston Phébus (original work written in 1387-89), 1405-1410,

  Musée national du Moyen Âge, Musée de Cluny

  , Paris
• 
  Gustave Courbet, 1856, The Quarry (La Curée), oil on canvas, 210.2 x 183.5 cm, Museum of Fine Arts, Boston
• 
  Georges Valmier, 1928, Les Tulipes (The Tulips), oil on canvas, 92 x 65 cm, private collection
• 
  Joseph Delattre circa 1880
• 
  Pierre-Auguste Renoir as a young man
• 
  Pierre-Auguste Renoir, photograph c. 1900
• 
  Paul Cézanne
• 
  Guillaume Apollinaire, 1902, Cologne
• 
  Joaquim Sunyer, c.1920, La sandía (The Watermelon), oil on canvas, 59 x 71.5 cm, Museu Nacional d'Art de Catalunya, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
• 
  Paul-Élie Gernez [fr], Saint-Claude, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue)
• 
  Albert Marquet, 1906, Fécamp (The Beach at Sainte-Adresse), oil on canvas, 64.5 x 80 cm
• 
  Centre Georges Pompidou

  , Paris
• 
  Louis Valtat, 1913, Nu au fauteuil (Nu sur fond rose), oil on canvas, 81.4 x 65.4 cm, private collection. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
• 
  André Dunoyer de Segonzac, 1911, Les Boxeurs (The Boxers), location unknown, presumed destroyed by the artist. Black and white reproduction in Huntly Carter, The new spirit in drama & art, 1912
• 
  Ivan Puni, 1914, Portrait of Artist's Wife (Портрет жены художника), The Russian Museum, St Petersburg
• 
  Jean Puy, 1905, Flânerie sous les pins, oil on canvas, 81 x 115 cm, Musée Paul-Dini de Villefranche-sur-Saône. Exhibited at the 1905 Salon d'Automne
• 
  Estorick Collection

  , London
• 
  Béla Czóbel, Portrait de Femme, c. 1908-09
• 
  Jacques Doucet’s hôtel particulier, 33 rue Saint-James, Neuilly-sur-Seine, 1929, photograph Pierre Legrain
• 
  The Night (Die Nacht), oil on canvas, 133 x 154 cm, Kunstsammlung Nordrhein-Westfalen

  , Düsseldorf
• 
  Maurice de Vlaminck, 1906, The Seine at Chatou, oil on canvas, 82.6 x 101.9 cm, Metropolitan Museum of Art, New York
• 
  Maurice de Vlaminck, 1905-06, Barges on the Seine (Bateaux sur la Seine), oil on canvas, 81 x 100 cm, Pushkin Museum, Moscow
• 
  Maurice de Vlaminck, c.1909, Town on the Bank of a Lake, oil on canvas, 81.3 x 100.3 cm, Hermitage Museum, Saint Petersburg
• 
  Maurice de Vlaminck, c.1912, Village, oil on canvas, 73.7 x 92.1 cm (29 x 36 1/4 in.), Art Institute of Chicago
• 
  Albright-Knox Art Gallery
• 
  Albright-Knox Art Gallery
• 
  Futurists Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni and Gino Severini in front of Le Figaro, Paris, February 9, 1912
• 
  Gemeentemuseum Den Haag
• 
  Luigi Russolo, 1911, Souvenir d'une nuit (Memories of a Night), oil on canvas, 99 x 99 cm, private collection
• 
  Musée de Grenoble
• 
  Joseph Stella, 1919-20, Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm, Yale University Art Gallery
• 
  Joseph Stella, 1913-14, Battle of Lights, Coney Island, Mardi Gras, oil on canvas, 195.6 × 215.3 cm, Yale University Art Gallery
• 
  Entartete Kunst,

  Degenerate Art Exhibition

  poster, 1938
• 
  Entartete Kunst

  poster, Berlin, 1938
• 
  Joan Miró, Carrer de Pedralbes, drawing, published in Troços, Segona sèrie, N. 4, March 1918
• 
  Joan Miró, 1918, La casa de la palmera (House with Palm Tree), oil on canvas, 65 x 73 cm, Museo Nacional Centro de Arte Reina Sofía
• 
  Joan Miró, 1918, Portrait of Heriberto Casany (Le chauffeur), oil on canvas, 70.2 x 62 cm, Kimbell Art Museum. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
• 
  Joan Miró, 1919, Nu au miroir (Nude with a Mirror, Naakt met mirror), oil on canvas, 113 x 102 cm, Kunstsammlung Nordrhein-Westfalen. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
• 
  Joan Miró, 1920, Horse, Pipe and Red Flower, oil on canvas, 82.6 x 74.9 cm, Philadelphia Museum of Art. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
• 
  Minneapolis Institute of Arts
• 
  Henri Laurens, Céline Arnauld, Tournevire, 1919
• 
  Henri Laurens, 1920, Le Petit boxeur, 43 cm, reproduced in Život 2 (1922), p 53
• 
  Henri Manguin, 1905, La Sieste (Le repos, Jeanne, Le rocking-chair), oil on canvas, 88.9 x 116.84 cm, Villa Flora, Winterthur
• 
  Henri Manguin, 1906, Baigneuse (Woman Bather), oil on canvas, Pushkin Museum, Moscow
• 
  Henri Manguin, 1906, Le Rocher (La Naïade, Cavalière), oil on canvas, 71 × 89 cm, private collection
• 
  George Grosz, Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it, Berlinische Galerie
• 
  Emil Filla, c.1912, Nude, watercolor on board, 43.18 x 62.23 cm
• 
  Jean Arp, reproduced in 391, No. 8, Zurich, February 1919
• 
  Olaf Rude, 1918, Sankt Georg og dragen (Saint George and the dragon), oil on canvas, 99.7 x 79.9 cm, ARoS Aarhus Kunstmuseum
• 
  Chana Orloff, 1915, Amazone, bronze, 73.5 cm
• 
  Wyndham Lewis, 1912, The Dancers
• 
  Joan Rebull, sculpture, stone, approximately 170 x 300 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
• 
  Vicenç Navarro Romero, sculpture, stone, approximately 240 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
• 
  Enric Monjo, sculpture, stone, approximately 240 cm, Location, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
• 
  Rafael Atché i Ferré, 1888, Catalunya, Monument to Columbus, Two workers cleaning the Monument to Columbus, Catalunya (detail). Photo: Coldcreation
• 
  Rossend Nobas, Quadriga de l'Aurora, fosa de ferro colat originalment daurat, Parc de la Ciutadella, Cascada, Barcelona. Photo: Coldcreation
• 
  Alfredo Lanz, 2004, Homenatge a la natació, sculpture, Barcelona
• 
  Roy Lichtenstein, Cap de Barcelona, sculpture, mixed media, Barcelona. This is technically the verso (back) of the sculpture. Photo: Coldcreation
• 
  Ricardo Bofill (Ricard Bofill Leví) Richard Bofill, Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
• 
  Ricardo Bofill (Ricard Bofill Leví), Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
• 
  Ricardo Bofill, Les quatre barres de la senyera catalana, circa 2010, Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
• 
  Josep Llimona, 1903, Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
• 
  Josep Llimona, 1903, Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
• 
  Musée d'art moderne de la Ville de Paris, Palais de Tokyo

  . Photo: Coldcreation
• 
  Théâtre des Champs-Élysées, 15 Avenue Montaigne, Paris. Opened in 1913, designed by French architect Auguste Perret, with bas-reliefs Antoine Bourdelle. Photo: Coldcreation
• 
  Théâtre des Champs Elysées

  . Photo: Coldcreation
• 
  Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées. Photo: Coldcreation
• 
  Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
• 
  Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
• 
  Antoine Bourdelle, 1910-12, La Musique, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation